Arts of the Islamic World & India

Arts of the Islamic World & India

View full screen - View 1 of Lot 3. An illuminated Qur'an, East Africa or Oman, dated Shawwal 1262 AH/September-October 1846 AD.

An illuminated Qur'an, East Africa or Oman, dated Shawwal 1262 AH/September-October 1846 AD

Auction Closed

October 25, 04:59 PM GMT

Estimate

15,000 - 25,000 GBP

Lot Details

Description

Arabic manuscript on paper, 186 leaves, plus 2 fly-leaves, 17 lines to the page written in naskh in black ink, keywords and phrases picked out in yellow outlined in black, some on a red dotted ground, within red, yellow and black rules, verses separated by yellow roundels with red dots, surah headings in red, further text divisions marked by yellow, red and black marginal devices, f.1a with geometric shamsa, f.1b and f.2a illuminated in polychrome framing text, illuminated panels within the text denoting surah al-Kahf, vv.75-75, and the beginning of surah al-Rahman, final bifolio decorated in red, yellow and black with geometric designs framing text, in brown leather binding


text panel: 24.5 by 13.5cm.

leaf: 31.3 by 21.2cm.

Qur’ans produced in East Africa and in other centres around the Indian Ocean represent a relatively under-examined area of manuscript studies. As a result, attributions of such manuscripts remain difficult to pinpoint given the movement of surviving material across trade routes throughout the Indian Ocean littoral.


The decorative repertoire of this manuscript shares features with a small corpus of Qur’ans attributed to coastal East Africa, Zanzibar and Oman and the manuscript presents an interesting, dated, addition to this lesser-known group. The rectangular format of the opening illumination, framed by freely drawn arabesques, is closely comparable to a Qur’an section in the collection of the Sultan Qaboos library, Oman and another in the collection of the Ministry of Culture and Heritage, Muscat, Oman (inv. no.MS 2220, see Hirgi 2023, p.391). The colour palette of the illumination, primarily formed of red, white, black, yellow and olive-green is also shared among the group as is the inclusion of rubricated letters that feature in the colophon of the present manuscript.


The geometric decoration in the various marginal medallions of the present manuscript recalls the tradition of Sub-Saharan African Qur’ans (see lot 6 in the present sale) while the colour palette is reprised in South East Asian manuscripts, although often with more curvilinear drawing to the decoration. For a detailed discussion on Qur’ans attributed to coastal East Africa, see Hirgi 2023.