Ansel Adams: A Legacy | Photographs from the Meredith Collection

Ansel Adams: A Legacy | Photographs from the Meredith Collection

View full screen - View 1 of Lot 87. Selected Portraits of Artists (3 Photographs).

Ansel Adams

Selected Portraits of Artists (3 Photographs)

Estimate

6,000 - 9,000 USD

Lot Details

Description

Ansel Adams

1902 - 1984

Selected Portraits of Artists (3 Photoraphs)


a group of 3 gelatin silver prints, comprising ‘Charles Sheeler, San Francisco, Ca.,’ ‘Robert B. Howard, Artist, San Francisco,and ‘Jose Clemente Orozco, New York City,each mounted, signed in pencil on the mount, the photographer’s San Francisco and Carmel studio stamps (BMFA 4, 5 and 11), with title and date in ink, framed, The Cleveland Museum of Art and The Friends of Photography exhibition labels on the reverse

images to 15¼ by 19½ in. (38.7 by 49.5 cm.)

Executed in 1933-60, printed between 1960 and 1981.

The Estate of the photographer to The Friends of Photography, Carmel, 1984

Acquired from the above, 2002

Charles Sheeler, San Francisco, California:

James Alinder, Ansel Adams: 50 Years of Portraits (Carmel: The Friends of Photography, 1978), pl. 15


Robert Boardman Howard, San Francisco, California:

Ansel Adams, Polaroid Land Photography Manual: A Technical Handbook (New York, 1963), fig. 34

John Humphrey, ed., Ansel Adams: Recollected Moments (San Francisco Museum of Art, 1972), cat. 13

Liliane de Cock, ed., Ansel Adams (Hastings-on-Hudson, 1972), pl. 113

Edwin Land, David H. McAlpin, Jon Holmes, and Ansel Adams, Ansel Adams: Singular Images (Dobbs Ferry, 1974), p. 44

James Alinder, Ansel Adams: 50 Years of Portraits (Carmel: The Friends of Photography, 1978), pl. 20

James Alinder and Mary Street Alinder, Ansel Adams: A San Francisco Heritage (San Francisco, 1987), pl. 6

Mary Street Alinder and Andrea Gray Stillman, Ansel Adams: Letters and Images 1916-1984 (Boston, 1988), p. 273

Andrea Gray Stillman, ed., California (Boston, 1997), p.28

Andrea Gray Stillman, ed., Ansel Adams: 400 Photographs (Boston, 2007), p. 388


Jose Clemente Orozco, New York City:

James Alinder, Ansel Adams: 50 Years of Portraits (Carmel: The Friends of Photography, 1978), cover and pl. 6

Ansel Adams, Ansel Adams: An Autobiography (Boston, 1985), p. 125

James Alinder and John Szarkowski, Ansel Adams: Classic Images (Boston, 1985), pl. 19

Andrea Gray Stillman, ed., Ansel Adams: 400 Photographs (Boston, 2007), p. 91

Charles Sheeler, San Francisco, California:

Shanghai, Shanghai Gallery, People’s Exhibition Hall, Ansel Adams: Photographer, February 1983; and traveling thereafter to: Beijing, National Museum of Art, March 1983; Tokyo, Odakyu Store Art Gallery, June 1983; Hong Kong Arts Centre, July – August 1983; San Diego, Museum of Photographic Arts, June - August 1984; Haifa, Museum of Modern Art, May – August 1987


San Francisco, Ansel Adams Center, Ansel Adams: Portraits, November 1992 – February 1993


San Francisco, Ansel Adams Center, Ansel Adams, a Legacy: Masterworks from the Friends of Photography Collection, March – June 1997, and traveling thereafter to: Chattanooga, Tennessee, Hunter Musuem of Art, July – September 1997; Louisville, Kentucky, J. B. Speed Museum, September – November 1998; Fort Wayne, Indiana, Fort Wayne Museum of Art, December 1998 – February 1999; Japan, Nihombashi, Mitsukoshi Department Store Gallery, March, 1999; Japan, Ehime Prefecture Museum, June – July 1999; Japan, Toyama Prefecture, Tonami City Museum, July – August 1999; Japan, Hokkaido, Kushiro Art Museum, September – October 1999; Japan, Kawasaki City Museum, October – December 1999


Billings, Montana, Yellowstone Art Museum, Ansel Adams: a Legacy, October 2002 – January 2003 and traveling thereafter to: University of Texas at Austin, Harry Ransom Center, Ansel Adams: a Legacy, August 2005 – January 2006; Loretta and Ligonier, Pennsylvania, The Southern Alleghenies Museum of Art, March – November 2006; Cleveland, Ohio, Cleveland Institute of Art, May – August 2007; Tucson Museum of Art, October 2009 – February 2010; Missoula, Montana, Missoula Art Museum, October 2011 – April 2012; Helena, Montana, The Holter Museum of Art, January – April 2013; Charlottesville, Virginia, University of Virginia, The Fralin Museum of Art, June – October 2013


Robert Boardman Howard, San Francisco, California:

Shanghai, Shanghai Gallery, People’s Exhibition Hall, Ansel Adams: Photographer, February 1983, and traveling thereafter to: Beijing, National Museum of Art, March 1983; Tokyo, Odakyu Store Art Gallery, June 1983; Hong Kong Arts Centre, July – August 1983; San Diego, Museum of Photographic Arts, June – August 1984; Haifa, Museum of Modern Art, May – August 1987


San Francisco, Ansel Adams Center, Ansel Adams, a Legacy: Masterworks from the Friends of Photography Collection, March – June 1997, and traveling thereafter to: Chattanooga, Tennessee, Hunter Museum of Art, July – September 1997; Louisville, Kentucky, J. B. Speed Museum, September – November 1998; Fort Wayne, Indiana, Fort Wayne Museum of Art, December 1998 – February 1999; Japan, Nihombashi, Mitsukoshi Department Store Gallery, March, 1999; Japan, Ehime Prefecture Museum, June – July 1999; Japan, Toyama Prefecture, Tonami City Museum, July – August 1999; Japan, Hokkaido, Kushiro Art Museum, September – October 1999; Japan, Kawasaki City Museum, October – December 1999; Cincinnati, Ohio, Cincinnati Art Museum, May – August 2000


Billings, Montana, Yellowstone Art Museum, Ansel Adams: a Legacy, October 2002 – January 2003 and traveling thereafter to: University of Texas at Austin, Harry Ransom Center, Ansel Adams: a Legacy, August 2005 – January 2006; Loretta and Ligonier, Pennsylvania, The Southern Alleghenies Museum of Art, March – November 2006; Cleveland, Ohio, Cleveland Institute of Art, May – August 2007; Tucson Museum of Art, October 2009 – February 2010; Cartersville, Georgia, Booth Western Art Museum, September 2010 – March 2011; Missoula, Montana, Missoula Art Museum, October 2011 – April 2012; Helena, Montana, The Holter Museum of Art, January – April 2013; Charlottesville, Virginia, University of Virginia, The Fralin Museum of Art, June – October 2013


Jose Clemente Orozco, New York City:

Shanghai, Shanghai Gallery, People’s Exhibition Hall, Ansel Adams: Photographer, February 1983; and traveling thereafter to: Beijing, National Museum of Art, March 1983; Tokyo, Odakyu Store Art Gallery, June 1983; Hong Kong Arts Centre, July – August 1983; San Diego, Museum of Photographic Arts, Ansel Adams: Photographer, June - August 1984


San Francisco, Ansel Adams Center, Ansel Adams: Portraits, November 1992 – February 1993


San Francisco, Ansel Adams Center, Ansel Adams, a Legacy: Masterworks from the Friends of Photography Collection, March – June 1997, and traveling thereafter to: Chattanooga, Tennessee, Hunter Museum of Art, July – September 1997; Louisville, Kentucky, J. B. Speed Museum, September – November 1998; Fort Wayne, Indiana, Fort Wayne Museum of Art, December 1998 – February 1999; Japan, Nihombashi, Mitsukoshi Department Store Gallery, March, 1999; Japan, Ehime Prefecture Museum, June – July 1999; Japan, Toyama Prefecture, Tonami City Museum, July – August 1999; Japan, Hokkaido, Kushiro Art Museum, September – October 1999; Japan, Kawasaki City Museum, October – December 1999; Cincinnati, Ohio, Cincinnati Art Museum, May – August 2000


Billings, Montana, Yellowstone Art Museum, Ansel Adams: a Legacy, October 2002 – January 2003 and traveling thereafter to: University of Texas at Austin, Harry Ransom Center, Ansel Adams: a Legacy, August 2005 – January 2006; Loretta and Ligonier, Pennsylvania, The Southern Alleghenies Museum of Art, March – November 2006; Cleveland, Ohio, Cleveland Institute of Art, May – August 2007; Tucson Museum of Art, October 2009 – February 2010; Cartersville, Georgia, Booth Western Art Museum, September 2010 – March 2011; Missoula, Montana, Missoula Art Museum, October 2011 – April 2012; Helena, Montana, The Holter Museum of Art, January – April 2013; Charlottesville, Virginia, University of Virginia, The Fralin Museum of Art, June – October 2013

‘I wanted to concentrate on his compelling expression.  When you saw his whole head, it’s power was lessened; but by moving into his amazing eyes, his intense stare, the portrait became complete.  He said, “Oh, that is good,” when I brought the camera close. I have always felt I should work close to the subject.’


Ansel Adams on Orozco, quoted in James Alinder, Ansel Adams: 50 Years of Portraits (Carmel: The Friends of Photography, 1978), p. 47


A painter, graphic artist and sculptor, Robert Howard was active in Northern California in the first decades of the 20th century, working on commissions and exhibiting frequently in the San Francisco Bay Area.  This 1960 portrait is a clever visual pun that references Howard’s own compositions made up of layered, geometric shapes.