拍品 228
  • 228

WIFREDO LAM | Sans Titre

估價
40,000 - 60,000 EUR
招標截止

描述

  • Lam, Wifredo
  • Sans Titre
  • signed WifLam and dated 1947 (lower right)
  • watercolour and ink on paper
  • 31,4 x 23,7 cm; 12 3/8 x 9 3/8 in.
  • Executed in 1947.

來源

Pierre Matisse Gallery, New York
Galerie Lelong, Paris
Galerie Lelong, New York
Acquavella Modern Art, Reno
Lin and Keng Gallery, Taipei
Private collection, United States (acquired from the above and sold: Sotheby's, New York, November 20 & 21, 2007, lot 166)
Mary-Ann Martin Fine Art, New York
Acquired from the above by the present owner

Condition

It has not been possible to see the work entirely unframed. Executed on cream laid paper, laid down on paper which is affixed to a thick mount, the whole sandwiched between two glasses. Upper, right and lower edges are deckled. There are a few pinholes to the centre of right and lower edges and to the upper right corner. There are a few minor tears (approx. 0.2 cm long) to the upper part of the right edge and along the lower edge. There are scattered humidity marks, consistent with medium, notably to the lower part of the composition (as visible in the catalogue illustration). This work is in overall good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

拍品資料及來源

The authenticity of this work has been confirmed by Eskil Lam.