- 13
CÉSAR | Grand Valentin
估價
100,000 - 150,000 EUR
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招標截止
描述
- César
- Grand Valentin
- signed César, numbered 6/8 and inscribed with the foundry mark Fondeur Bocquel
- bronze
- 88 x 150 x 43 cm; 26 3/4 x 59 1/16 x 19 15/16 in.
- Conceived in 1956, this work is number 6 from an edition of 8 plus 2 artist proofs and 2 hors commerce and was executed in 1980.
來源
Galerie Patrice Trigano, Paris
Private Collection, USA (acquired in 1987)
Thence by descent to the present owner
Private Collection, USA (acquired in 1987)
Thence by descent to the present owner
展覽
Geneva, Musée Rath; Grenoble, Musée de Peinture et de Sculpture; Knokke-le-Zoute, Casino; Rotterdam, Museum Boymans-van Beuningen; Paris, Musée d'Art Moderne de la Ville de Paris, César Retrospective des sculptures, 1976; catalogue p.26, no.8 (other example)
Paris, Galerie Beaubourg, César Sculptures anciennes, 1980 (other example)
Paris, Grand Palais, FIAC, Galerie Beaubourg, César Sculptures 1950-1980, 1980 (other example)
Brest; Cabriès-en-Provence; Roubaix, Hôtel de Ville; César Rétrospective, 1981; catalogue ed. Galerie Beaubourg (other example)
Kruishoutem, Belgium, Fondation Veranneman, César, 1981, (other example)
Liège, Musée d'art Moderne, César, 1982; catalogue p.22, no.7-8 (other example)
Tokyo, Seibu Museum of Art, César, 1982; catalogue p.25, no. 8 (other example)
Paris, Pavillon des Arts, César, 1983; catalogue (other example)
Jouy-en-Josas, Fondation Cartier pour l'Art contemporain, Les fers de César, 1984; catalogue p. 44 (other example)
Paris, Musée de la poste, César Bronzes, 1984 ; catalogue,no.9; (other example)
Dunkerk, Musée d'Art Contemporain, César 1955-1985, 1985; (other example)
Sète, Musée Paul Valéry, César Les Bronzes, 1991; catalogue p.28 (other example)
Paris, Galerie Beaubourg, César Sculptures anciennes, 1980 (other example)
Paris, Grand Palais, FIAC, Galerie Beaubourg, César Sculptures 1950-1980, 1980 (other example)
Brest; Cabriès-en-Provence; Roubaix, Hôtel de Ville; César Rétrospective, 1981; catalogue ed. Galerie Beaubourg (other example)
Kruishoutem, Belgium, Fondation Veranneman, César, 1981, (other example)
Liège, Musée d'art Moderne, César, 1982; catalogue p.22, no.7-8 (other example)
Tokyo, Seibu Museum of Art, César, 1982; catalogue p.25, no. 8 (other example)
Paris, Pavillon des Arts, César, 1983; catalogue (other example)
Jouy-en-Josas, Fondation Cartier pour l'Art contemporain, Les fers de César, 1984; catalogue p. 44 (other example)
Paris, Musée de la poste, César Bronzes, 1984 ; catalogue,no.9; (other example)
Dunkerk, Musée d'Art Contemporain, César 1955-1985, 1985; (other example)
Sète, Musée Paul Valéry, César Les Bronzes, 1991; catalogue p.28 (other example)
出版
Douglas Cooper, César, Collection Artistes de notre temps, Amriswil, 1960 ; no.11 (other example)
Pierre Faveton, César, B.A.G.M.F no.36, III-IV, p.30-39; 1972 (other example)
Pierre Restany, César, 1975 Paris, 1976 New York; p.54 no.33 (other example)
B.Lamarche-Vadel, César..., Artistes no.6, X-XI, p.18, 1980 (other example)
Catherine Francblin, César en los del mal, Guadalimar no.55, XII, p.39, 1980 (other example)
Hachette Encyclopédie, Paris, 1981 (other example)
Jean-Louis Mons, Villetaneuse informations, IX, p.15, 1981; (other example)
La sculpture en France, ed. Arted, p.103, 1982 (other example)
Des artistes, un quartier, la Défense, Ed. EPAD, 1986 (other example)
C. Francblin, César sur les lieux du mal, p.14, 1987 (other example)
Pierre Restany, César, Paris 1988, p.122, (other example)
Jean-Charles Hachet, César ou les métamorphoses d'un grand art, Paris, 1989, p.17, no.6 (other example)
Exhibition Cat. Musée de la vieille charité, Marseille, 1993, p.28 (other example)
César, Connaissance des Arts, H.S. no.42, p. 18, no. 15, 1993 (other example)
Gazette de l'hôtel Drouot, Paris, 10/VI, p.207, 1994, (other example)
Pierre Faveton, César, B.A.G.M.F no.36, III-IV, p.30-39; 1972 (other example)
Pierre Restany, César, 1975 Paris, 1976 New York; p.54 no.33 (other example)
B.Lamarche-Vadel, César..., Artistes no.6, X-XI, p.18, 1980 (other example)
Catherine Francblin, César en los del mal, Guadalimar no.55, XII, p.39, 1980 (other example)
Hachette Encyclopédie, Paris, 1981 (other example)
Jean-Louis Mons, Villetaneuse informations, IX, p.15, 1981; (other example)
La sculpture en France, ed. Arted, p.103, 1982 (other example)
Des artistes, un quartier, la Défense, Ed. EPAD, 1986 (other example)
C. Francblin, César sur les lieux du mal, p.14, 1987 (other example)
Pierre Restany, César, Paris 1988, p.122, (other example)
Jean-Charles Hachet, César ou les métamorphoses d'un grand art, Paris, 1989, p.17, no.6 (other example)
Exhibition Cat. Musée de la vieille charité, Marseille, 1993, p.28 (other example)
César, Connaissance des Arts, H.S. no.42, p. 18, no. 15, 1993 (other example)
Gazette de l'hôtel Drouot, Paris, 10/VI, p.207, 1994, (other example)
Condition
The colours are fairly accurate in the printed catalogue illustration. The creases are slightly dusty and few minor scattered oxidation marks are visible on the work. This work is in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
What counts is the shape, it is or it is not and in the end, that is the difference between craft and art. César
This work is registered in the archives of Madame Denyse Durand-Ruel under number 415.
This work is registered in the archives of Madame Denyse Durand-Ruel under number 415.