拍品 124
  • 124

FRANÇOISE GILOT | Tête volante

估價
6,000 - 8,000 GBP
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招標截止

描述

  • 弗蘭索娃.吉洛
  • Tête volante
  • signed Francoise Gilot and dated 1948 (lower right); signed F. Gilot, titled, dated Juillet 1948, dedicated pour Claude Blenye, affectueusement and inscribed Vallauris on the reverse
  • gouache and pencil on paper
  • 50.5 by 65.5cm., 19 7/8 by 25 3/4 in.
  • Executed in Vallauris in 1948.

來源

Claude Blenye (a gift from the artist in 1948)
Sale: Ader, Paris, 8th November 2019, lot 291
Purchased at the above sale by the present owner

Condition

Executed on cream wove paper, not laid down, and taped to the overmount along the upper edge. All four edges are slightly deckled, most prominently on the left and right edges. There are some creases in places (some with very minor associated craquelure to the medium), most prominently to the left edge and a small 1.5cm-long tear to the centre of the left edge. The sheet is very slightly undulated in places, relating to the heavy use of medium. This work is in overall good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

拍品資料及來源

Claude Blenye, to whom this work was dedicated, was a very close friend of Françoise Gilot. Their long-lasting friendship arose from the time when they were both assistants to artist Jean Souverbie at the Ecole des Beaux Arts in Paris.

The authenticity of this work has been confirmed by Françoise Gilot and it is registered in the artist’s archives.