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MASSIMO CAMPIGLI | La Passeggiata
估價
60,000 - 80,000 EUR
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招標截止
描述
- Massimo Campigli
- La Passeggiata
- signed MASSIMO CAMPIGLI and dated 32 (lower right); signed campigli and numbered no 3 (on the reverse)
- oil on canvas
- 81,5 x 100,2 cm; 32 1/8 x 39 1/2 in.
Painted in 1932.
來源
Marcel Arland, Paris
Thence by descent to the present owner
Thence by descent to the present owner
展覽
Paris, Salon des Surindépendants, 1932
Milan, Palazzo Reale, Mostra di Massimo Campigli, 1967, no. 8, illustrated in the catalogue p. 50
Milan, Palazzo Reale, Mostra di Massimo Campigli, 1967, no. 8, illustrated in the catalogue p. 50
出版
Pierre Courthion, Massimo Campigli, Paris, 1938, pl. 15
Carlo De Roberto, “Il pittore Massimo Campigli” in Emporium, vol. XCV, Venice, March 1942, p. 102
Raffaele Carrieri, Massimo Campigli, Venice, 1945, illustrated p. 62 (under the title Donne a passeggio)
Jean Paulhan, Marcel Arland, Campigli La Ruche, Paris, 1952, n. p.
Jean Cassou, Campigli, Paris, 1957, illustrated p. 36 (under the title Promenade)
Franco Russoli, Campigli, Pittore, Milan, 1965, illustrated pl. 13 (under the title Passeggio)
Raffaele De Grada, Campigli, Rome, 1969, p. 10
Giancarlo Serafini, Omaggio a Campigli, Rome, 1972, illustrated p. 183
Giancarlo Serafini, Omaggio a Campigli, Rome, 1972, p. 16
Marcel Arland, Dans l’amitié de la peinture, Paris, 1980, p. 250
Bruno Mantura & Patrizia Rosazza Ferraris, Massimo Campigli (exhibition catalogue), Milan, 1994, no. 26, illustrated p. 182
Nicola Campigli, Eva & Marcus Weiss, Campigli catalogue raisonné, vol. II, Milan, 2013, no. 32-028, illustrated p. 464
Carlo De Roberto, “Il pittore Massimo Campigli” in Emporium, vol. XCV, Venice, March 1942, p. 102
Raffaele Carrieri, Massimo Campigli, Venice, 1945, illustrated p. 62 (under the title Donne a passeggio)
Jean Paulhan, Marcel Arland, Campigli La Ruche, Paris, 1952, n. p.
Jean Cassou, Campigli, Paris, 1957, illustrated p. 36 (under the title Promenade)
Franco Russoli, Campigli, Pittore, Milan, 1965, illustrated pl. 13 (under the title Passeggio)
Raffaele De Grada, Campigli, Rome, 1969, p. 10
Giancarlo Serafini, Omaggio a Campigli, Rome, 1972, illustrated p. 183
Giancarlo Serafini, Omaggio a Campigli, Rome, 1972, p. 16
Marcel Arland, Dans l’amitié de la peinture, Paris, 1980, p. 250
Bruno Mantura & Patrizia Rosazza Ferraris, Massimo Campigli (exhibition catalogue), Milan, 1994, no. 26, illustrated p. 182
Nicola Campigli, Eva & Marcus Weiss, Campigli catalogue raisonné, vol. II, Milan, 2013, no. 32-028, illustrated p. 464
Condition
The canvas in not lined and slighlty loose. There is an old uneven varnish preventing UV light from fully penetrating, however examination under UV light reveals no evidence of retouching. There are some horizontal lines of craquellure towards the centre of the composition and additionnal fine webs of craquelure in areas, notably in the upper right corner. There are stretcher bars marks visible on the left side of the composition. There is some slight frame abrasion along the extreme edges. Surface is a bit dirty. This work is in overall good condition and could benefit from a light clean.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."