- 134
SERGE POLIAKOFF | Composition abstraite
估價
30,000 - 50,000 EUR
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招標截止
描述
- Serge Poliakoff
- Composition abstraite
- signed, dated 53 and inscribed
- gouache on paper
- 59 x 44,5 cm; 23 1/4 x 17 1/2 in.
- Executed in 1953.
來源
Galerie 22, Paris
Collection Joseph Pauly, Luxembourg
Thence by descent to the present owner
Collection Joseph Pauly, Luxembourg
Thence by descent to the present owner
展覽
Paris, Galerie de France, Serge Poliakoff - gouaches 1944/1969, 10 March - 20 April 1977; catalogue, no. 16
Luxembourg, Musée national d'histoire et d'art, Un amateur luxembourgeois, de l'école de Paris, Joseph Pauly-Groff, 29 May - 8 July 1990 ; catalogue, no. 64
Luxembourg, Musée national d'histoire et d'art, Un amateur luxembourgeois, de l'école de Paris, Joseph Pauly-Groff, 29 May - 8 July 1990 ; catalogue, no. 64
出版
Alexis Poliakoff, Serge Poliakoff, Catalogue Raisonné, Volume I 1922-1954, Munich, 2004, p. 448, no. 53-41, illustrated in colour
Condition
The colours in the printed catalogue illustration are more vivid and saturated in the catalogue illustration, the original composition is not as contrasted in the original work. The paper is slightly undulated certainly inherent to artist technique. The upper edge is taped to the passe-partout. Artist pinholes are located in the lower left and right corners, visible unframed only. This work is in very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
Sotheby's is honoured to offer a selection of works from the Ecole de Paris movement from the Pauly-Groff Collection.
Paul Reiles, the director of the Musée National d'Histoire de l'Art of Luxembourg, where the artworks were at the center of a long-term loan, describes Joseph Pauly as "an amateur in the etymological sense of the word, in addition to a being a collector with everything the word evokes in terms of passion and obsession. One can tell right away that this is not a random collection of works discovered by chance while wandering through Parisian galleries. Rather, it is a genuine collection which reflects the taste and personality of the collector. Strong trends and pronounced preferences, as well as faithful commitments to certain artists such as Este've or Manessier are made clear. The friendship that links the collector to his artists is palpable. The ensemble is a remarkably exhaustive panorama of a movement whose qualities are recognized once more. Far from being a structured movement, the "second" Ecole de Paris gathers artists who share the same taste for abstraction. They present their very own approach of the world, their very own plastic and poetic reality.
Paul Reiles, the director of the Musée National d'Histoire de l'Art of Luxembourg, where the artworks were at the center of a long-term loan, describes Joseph Pauly as "an amateur in the etymological sense of the word, in addition to a being a collector with everything the word evokes in terms of passion and obsession. One can tell right away that this is not a random collection of works discovered by chance while wandering through Parisian galleries. Rather, it is a genuine collection which reflects the taste and personality of the collector. Strong trends and pronounced preferences, as well as faithful commitments to certain artists such as Este've or Manessier are made clear. The friendship that links the collector to his artists is palpable. The ensemble is a remarkably exhaustive panorama of a movement whose qualities are recognized once more. Far from being a structured movement, the "second" Ecole de Paris gathers artists who share the same taste for abstraction. They present their very own approach of the world, their very own plastic and poetic reality.