- 944
西藏 約十五世紀 普賢王如來唐卡 |
估價
40,000 - 60,000 USD
招標截止
描述
- Distemper on cloth
- 66 x 56.5 cm
出版
Per Kvaerne, The Bon Religion of Tibet: The Iconography of a Living Tradition, London, 1995, pl. 12.
Condition
null
我們很高興為您提供上述拍品狀況報告。由於敝公司非專業修復人員，在此敦促您徵詢其他專業修復人員，以獲得更詳盡、專業之報告。
準買家應該檢查每件拍品以確認其狀況，蘇富比所作的任何陳述均為主觀看法而非事實陳述。雖然本狀況報告或有針對某拍品之討論，但所有拍賣品均根據印於圖錄內之業務規則以拍賣時狀況出售。
我們很高興為您提供上述拍品狀況報告。由於敝公司非專業修復人員，在此敦促您徵詢其他專業修復人員，以獲得更詳盡、專業之報告。
準買家應該檢查每件拍品以確認其狀況，蘇富比所作的任何陳述均為主觀看法而非事實陳述。雖然本狀況報告或有針對某拍品之討論，但所有拍賣品均根據印於圖錄內之業務規則以拍賣時狀況出售。
拍品資料及來源
A mantra on the reverse of the painting describes Küntu Zangpo in this form as a divine manifestation of the eighth-century sage Drenpa Nankha, often referred to by Bonpa simply as lachen, The Great Lama, see Per Kvaerne, The Bon Religion of Tibet: The Iconography of a Living Tradition, London, 1995, p. 119.
Black scrollwork on a blue background, as seen throughout this rare and early depiction of Küntu Zangpo, is a common device in central Tibetan painting in the fifteenth and sixteenth centuries, and often associated with Sakya paintings with Nepalese influence, cf. the background scrollwork on a sixteenth century Sakya mandala in the collection depicting Buddhakapala and Chitrasena, Buddhakapala, Mahamaya, Yogambara, Jnanadakini (see lot 937).