- 39
安東尼奧·曼奇尼
估價
100,000 - 150,000 USD
招標截止
描述
- Antonio Mancini
- 《戴草帽的女子》
- 款識：畫家簽名並紀年 A. Manicni/di Roma. Napoli 80（右上）
- 油彩畫布
- 18 3/4 x 14 7/8 英寸
- 47.6 x 37.8 公分
來源
Barone Berlingieri;
Papocchia;
Tullio Giosi Naples, or Galleria Giosi, Rome;
Anonymous sale, Rome, Minerva Auctions, 26 May 2016, lot 189 (for €136,800);
There acquired.
Papocchia;
Tullio Giosi Naples, or Galleria Giosi, Rome;
Anonymous sale, Rome, Minerva Auctions, 26 May 2016, lot 189 (for €136,800);
There acquired.
展覽
Rome, Prima Quadriennale d’Arte Nazionale, January - June 1931, no. 24;
Naples, Castelnuovo, Mostra Della Pittura Napoletana del ‘600- ‘700- ‘800, March - June 1938.
Naples, Castelnuovo, Mostra Della Pittura Napoletana del ‘600- ‘700- ‘800, March - June 1938.
出版
N.G. Fiumi, “Ritratti di Antonio Mancini,” in The Studio, vol. 95, no. 419, February 1928, p. 89;
A. Lancellotti, Antonio Mancini, Istituto Nazionale “Luce,” Bergamo 1931, cat. no. 4;
A. Lancellotti, La prima quadriennale d’arte nazionale, exhibition catalogue, Rome 1931, p. 21, reproduced;
C. Lorenzetti, “La giovinezze di Antonio Mancini e il Reale Istituto di Belle arti di Napoli,” in Rassegna dell’Istruzione Artistica, II, May 1931, no. 3, p. 156;
Prima quadriennale d’Arte nazionale- Mostra retrospettiva di Antonio Mancini 1852-1930, exhibition catalogue, Rome 1931, cat. no. 24, reproduced (inside cover);
P. Scarpa, “Capolavori di Antonio Mancini- alla 'Quadriennale' Romana d’Arte,” in Il Messaggero, 6 May 1931, p. 3;
A.M. Comanducci, I pittori italiani dell’Ottocento, Milan 1934, p. 389;
Piccola guida della mostra della pittura napoletana del ’600-‘700-‘800, exhibition catalogue, Naples 1938, p. 110;
M. Borghi, “Galleria d’artisti italiani. Antonio Mancini,” in Rivista delle Province, Rome, a. LII, no. 1, January 1960, p. 47;
A. Schettini, La pittura napoletana dell’800, Naples 1967, vol. II, p. 172.
A. Lancellotti, Antonio Mancini, Istituto Nazionale “Luce,” Bergamo 1931, cat. no. 4;
A. Lancellotti, La prima quadriennale d’arte nazionale, exhibition catalogue, Rome 1931, p. 21, reproduced;
C. Lorenzetti, “La giovinezze di Antonio Mancini e il Reale Istituto di Belle arti di Napoli,” in Rassegna dell’Istruzione Artistica, II, May 1931, no. 3, p. 156;
Prima quadriennale d’Arte nazionale- Mostra retrospettiva di Antonio Mancini 1852-1930, exhibition catalogue, Rome 1931, cat. no. 24, reproduced (inside cover);
P. Scarpa, “Capolavori di Antonio Mancini- alla 'Quadriennale' Romana d’Arte,” in Il Messaggero, 6 May 1931, p. 3;
A.M. Comanducci, I pittori italiani dell’Ottocento, Milan 1934, p. 389;
Piccola guida della mostra della pittura napoletana del ’600-‘700-‘800, exhibition catalogue, Naples 1938, p. 110;
M. Borghi, “Galleria d’artisti italiani. Antonio Mancini,” in Rivista delle Province, Rome, a. LII, no. 1, January 1960, p. 47;
A. Schettini, La pittura napoletana dell’800, Naples 1967, vol. II, p. 172.
Condition
The following condition report was kindly provided by Simon Parkes Art Conservation, Inc.: This work is in lovely condition. The canvas is unlined. The surface is stable and fresh. The work is clean. The only retouches are a few spots in the upper left background beneath the inscription. The work should be hung as is.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
拍品資料及來源
此作將被收錄於羅馬德盧卡藝術出版社出版、由辛西亞·維爾諾籌備之畫家專題目錄。