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ANSEL ADAMS | Winter, Yosemite Valley, California, 1933
估價
50,000 - 80,000 EUR
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招標截止
描述
- Ansel Adams, attributed to
- Winter, Yosemite Valley, California, 1933
- 23,6 x 18,4 cm
vintage silver print flush-mounted to original cardboardsigned in pencil on the mount, on the reverse, titled and numbered 18 in pencil and the photographer's San Francisco label 3 (used from 1930 to 1935) adheredmatted and framed
來源
Delphic Studio, New York, 1933
Private collection, New York
Sotheby's New York, Photographs, April 23, 1994, lot 143
Galerie Zur Stockeregg, Zurich
Private collection, New York
Sotheby's New York, Photographs, April 23, 1994, lot 143
Galerie Zur Stockeregg, Zurich
展覽
Delphic Studio, New York, 1933
出版
Curry, Kathy, Esther Adler, et Museum of modern art. American Modern : Hopper to O'Keeffe [Exhibition, Museum of Modern Art, New York, August 17, 2013 - January 26, 2014]. 1 vol. New York: the Museum of modern art, 2013.
New York. An American Place. "William Einstein and Ansel Adams," October 1, 1936–November 1, 1936.
New York. The Metropolitan Museum of Art. "Thirty Photographers: A Selection from the Museum's Collection," April 12, 1969–June 1, 1969.
The Metropolitan Museum of Art. "The Collection of Alfred Stieglitz," May 18, 1978–July 16, 1978.
New York. An American Place. "William Einstein and Ansel Adams," October 1, 1936–November 1, 1936.
New York. The Metropolitan Museum of Art. "Thirty Photographers: A Selection from the Museum's Collection," April 12, 1969–June 1, 1969.
The Metropolitan Museum of Art. "The Collection of Alfred Stieglitz," May 18, 1978–July 16, 1978.
Condition
This print is in overall excellent condition. A very small pressure point (>2mm) near right edge and a stain (5mm) near left edge, both only visible under raking light ant not disturbing the image. A vertical soft fold along left edge of card, not affecting image. A beautiful deep tones print.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
This print was part of Ansel Adams' first solo exhibition at the Delphic Studio in 1933 in New York. The record list sent by Ansel Adams to the gallery is listing a print numbered with the same number 18 and titled as on the reverse of the mount. The letters between Alma Reed, Director of the Delphic Studio and Ansel Adams highlight that every prints was mounted and titled by Ansel Adams. This specific print was one of the first ones sold at the exhibition.
© The Ansel Adams Publishing Rights Trust
© The Ansel Adams Publishing Rights Trust