PROBABLY ITALIAN, 13TH CENTURY | Seal Matrix

inscribed: S' GERMENI CIECH (the seal of Germen the Blind (or one-eyed) )

Overall the condition of the intaglio is good with minor dirt and wear to the surface consistent with age. There are various minor nicks and scratches to the metal, particularly at the edges. There are a few flaws in the mount, including to above the top of the cameo. A few minor fissures to the gold. There are minor surface abrasions and rubbing to the intaglio. There are elements of red inlay, possibly enamel, stone or composite. There is evidence of a past additional mount to the reverse. There is a separately made gold back plate to the reverse.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Martin Henig has conducted significant research on the primarily English practice of incorporating ancient Roman intaglios into inscribed medieval settings in the 12th and 13th centuries. These were often referred to as sigillum secreti (secret seal) and used primarily for personal correspondence. For comparable seal matrices, see J. Cherry and M. Henig, 'Intaglios Set in Medieval Seal Matrices: Indicators of Political Power and Social Status?' in J. Cherry, J. Berenbeim and L. de Beer (eds.), Seals and Status: The Power of Objects, The British Museum, London, 2018, pp. 104-113