NORTH GERMAN OR NETHERLANDISH, CIRCA 1600 | The Wild Man

Overall the condition of the wood is good, with wear and some dirt to the surface consistent with age. There is a loss to the proper right lower arm and the hand is lost. There are a few further losses, including to the proper left big toe, some fingertips on the proper left hand, and to the terrasse behind the figure. There is some evidence of past worming in these areas and more generally to the terrasse. There is also a possible loss to the figure's mouth. There are some remnants of polychromy, notably to the fig leaves. The figure is placed on a later wood base which is carved in two sections. It has general wear, including some splitting and evidence of past worming.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Compare with the figure illustrated in T. Husband (ed.), The Wild Man: Medieval Myth and Symbolism, exh. cat. Metropolitan Museum of Art, New York, 1980, pl. VIII.