清康熙 青花開光花石錦雞圖執壺 |

Marchant，倫敦，2000年

Jeffrey P. Stamen、Cynthia Volk 及倪亦斌，《文采卓然：潔蕊堂藏康熙盛世瓷》，布呂赫，2017年，圖版109

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我們很高興為您提供上述拍品狀況報告。由於敝公司非專業修復人員，在此敦促您徵詢其他專業修復人員，以獲得更詳盡、專業之報告。

準買家應該檢查每件拍品以確認其狀況，蘇富比所作的任何陳述均為主觀看法而非事實陳述。雖然本狀況報告或有針對某拍品之討論，但所有拍賣品均根據印於圖錄內之業務規則以拍賣時狀況出售。

The elegant attenuated form of the present ewer is most likely derived from a Middle Eastern metal prototype. These vessels, often with a matching basin, were used primarily for ceremonial ablutions. While derived from an Islamic form, these ewers were successfully assimilated and adapted for the domestic market which valued them for their exoticism. A similar blue and white Kangxi period ewer in the Victoria and Albert Museum, London is illustrated in Rose Kerr and Luisa E. Mengoni Chinese Export Ceramics, London, 2011, pl.154.