- 389
MAURICE UTRILLO | Argentan dans l'Orne
估價
80,000 - 120,000 GBP
招標截止
描述
- Maurice Utrillo
- Argentan dans l'Orne
- signed Maurice, Utrillo, V., (towards lower left); signed Maurice, Utrillo, dated Août 1922 and titled on the reverse
- oil on canvas
- 50.3 by 65cm., 19 3/4 by 25 1/2 in.
- Painted in August 1922.
來源
Paul Guillaume, Paris
Joseph Winterbotham, Burlington, Vermont (acquired by 1954)
Art Institute of Chicago, Chicago (sale: Sotheby’s, New York, 14th May 1986, lot 213)
Manfred Gerber, Switzerland
M. Smidoff, Geneva
Sale: Hôtel Richemond, Geneva, 18th December 1990, lot 50
Sale: Bourg-en-Bresse, Hôtel des Ventes, 9th June 1991, lot 56
Sale: Kohn Scp, Paris, 12th December 1995, lot 231
Purchased at the above sale by the present owner
Joseph Winterbotham, Burlington, Vermont (acquired by 1954)
Art Institute of Chicago, Chicago (sale: Sotheby’s, New York, 14th May 1986, lot 213)
Manfred Gerber, Switzerland
M. Smidoff, Geneva
Sale: Hôtel Richemond, Geneva, 18th December 1990, lot 50
Sale: Bourg-en-Bresse, Hôtel des Ventes, 9th June 1991, lot 56
Sale: Kohn Scp, Paris, 12th December 1995, lot 231
Purchased at the above sale by the present owner
出版
Francis Carco, Maurice Utrillo, Les Peintres français nouveaux, Paris, 1921, no. 8, illustrated p. 61 (titled Paysage d'Île de France)
Adolphe Basler, Maurice Utrillo, 1929, illustrated pl. 30 (titled Paysage)
Adolphe Basler, Maurice Utrillo, Paris, 1931, illustrated p. 85
Marius Mermillon, Maurice Utrillo, Paris, 1948, illustrated pl. 10
Maurice Utrillo (exhibition catalogue), Seiji Togo Memorial Sompo Japan Museum, Tokyo, 2010, no. 7, illustrated in colour p. 148
Adolphe Basler, Maurice Utrillo, 1929, illustrated pl. 30 (titled Paysage)
Adolphe Basler, Maurice Utrillo, Paris, 1931, illustrated p. 85
Marius Mermillon, Maurice Utrillo, Paris, 1948, illustrated pl. 10
Maurice Utrillo (exhibition catalogue), Seiji Togo Memorial Sompo Japan Museum, Tokyo, 2010, no. 7, illustrated in colour p. 148
Condition
The canvas is not lined and examination under UV light shows no signs of retouching. There is some pigment loss to all four corners and some additional small flecks at the extreme edges.There is a vertical line of craquelure with some associated pigment loss to the centre of the composition and there is some further craquelure to the sky. This work is in overall good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
The authenticity of this work has been confirmed by Jean Fabris.