- 665
宋 陶加彩羅漢俑一組五尊 |
描述
- Pottery
來源
Condition
我們很高興為您提供上述拍品狀況報告。由於敝公司非專業修復人員，在此敦促您徵詢其他專業修復人員，以獲得更詳盡、專業之報告。
準買家應該檢查每件拍品以確認其狀況，蘇富比所作的任何陳述均為主觀看法而非事實陳述。雖然本狀況報告或有針對某拍品之討論，但所有拍賣品均根據印於圖錄內之業務規則以拍賣時狀況出售。
拍品資料及來源
Related sculptures include an example in the Asian Art Museum of San Francisco, illustrated in Lefebvre d’Argencé and René-Yvon, Chinese, Korean and Japanese Sculpture in the Avery Brundage Collection, San Francisco, 1974, pl. 147; one, likely from the Zijin’an temple, Wu Xian, Jiangsu province and now in the Palace Museum, Beijing, published in Zhongguo Meishu Quanji, Wudai Song Diaosu/Complete Series on Chinese Art, Sculpture, Five Dynasties and Song, vol. 5, Beijing, 1988, pl. 151; one in the Baerwald Collection, included in the exhibition Ausstellung Chinesischer Kunst, Berlin, 1929, cat. no. 494; and another, once in the Sun Zi temple, Shanxi province, from the collection of Mrs. James Cromwell, sold in these rooms, 4th December 1984, lot 116. See also a luohan from the collection of Arthur Vernay, sold in our London rooms, 10th June 1986, lot 88, again at Christie’s Hong Kong, 2nd November 1999, lot 766 and a third time in our Hong Kong rooms, 3rd-4th December 2015, lot 584.
Luohan are protectors of the Buddha’s teaching who reached advanced states of spiritual awareness. From the 10th to 13th centuries, ceramic figures of luohan were made in various sizes, from small figurines such as the present figures to imposing, life-sized sancai-glazed models. The present type of painted pottery and stoneware figures belong to a group that are usually portrayed sitting on roughly hewn rocks engaged in study and meditation.
The dating of this lot is consistent with the results of thermoluminescence test, Oxford Authentication Ltd., no. C103n33.