清乾隆 仿官釉葵花式花盆 《乾隆年製》款 |

null
我們很高興為您提供上述拍品狀況報告。由於敝公司非專業修復人員，在此敦促您徵詢其他專業修復人員，以獲得更詳盡、專業之報告。

準買家應該檢查每件拍品以確認其狀況，蘇富比所作的任何陳述均為主觀看法而非事實陳述。雖然本狀況報告或有針對某拍品之討論，但所有拍賣品均根據印於圖錄內之業務規則以拍賣時狀況出售。

Suffused with an attractive matrix of dark crackles and a luminous, bluish-grey glaze that complement the gentle lobed form, this jardinière embodies the Qianlong emperor’s (r.1736-1795) keen interest in celebrated wares of the Song dynasty (960-1279).  The subtle glaze has been rendered in imitation of Southern Song dynasty guan ware, which was made for the court in the capital Hangzhou in Zhejiang province. Under his reign, such glazes were created to cover a range of carefully selected forms that were either directly inspired by antiquity or new to the potters’ repertoire, such as the present jardinière.

The unusual form, with deep lobed sides and everted rim, is known decorated in various techniques; see a doucai example, decorated with flowering scrolls, sold in our London rooms, 1st-2nd April 1974, lot 325, and twice in our Hong Kong rooms, 26th November 1980, lot 383, and 8th October 2013, lot 3015; and a pink-ground famille-rose enameled jardinière, in the Nanjing Museum, Nanjing, illustrated in Treasures In The Royalty. The Official Kiln Porcelain of The Chinese Qing Dynasty, Shanghai, 2003, p. 249.

Compare related Song-inspired glazed jardinières of various forms, such as a Ru-type example with steep, rounded sides and everted rim, sold in our London rooms, 5th July 1977, lot 277; and a pair of Guan-type jardinières of rectangular form and bearing a six-character Qianlong reign mark in underglaze blue, from the Zande Lou Collection, included in the exhibition Qing Imperial Monochromes. The Zande Lou Collection, Art Museum, The Chinese University of Hong Kong, Hong Kong, 2005, cat. no. 37.