拍品 515
  • 515

清雍正 粉青釉浮雕纏枝花卉紋盌一對 《大清雍正年製》款 |

估價
60,000 - 80,000 USD
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描述

  • 《大清雍正年製》款
  • porcelain, rosewood stands

來源

John Sparks Ltd.,倫敦
Sidney T. Cook (1910-1964) 收藏,此後家族傳承

Condition

其一整體品相良好。其二釉色略微偏深。整體品相良好。口沿見一小磕釉及一小淺磕。外壁見幾處微小爆釉。 敬請注意,本拍品之木座、木框或其它木部件屬瀕危野生動植物種國際貿易公約(CITES)所列木種,如出口至美國境外需申請相關CITES許可證。
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拍品資料及來源

This pair of bowls epitomizes the sophisticated qualities characteristic of porcelains made in the Yongzheng period (1723-35). The combination of a contemporary form with the luminous, jade-like qualities of Song dynasty celadon wares reflects the emperor’s fascination with antiquities, which in turn became an important source of inspiration in the production of imperial porcelain. According to the Taocheng jishi bei [Commemorative stele on a ceramic production], compiled by the brilliant supervisor of the imperial factory in Jingdezhen, Tang Ying, in the 13th year of the Yongzheng reign (corresponding to 1735), pale celadon glazes were amongst the most successful creations of the 57 types of glazes developed at the time. 

A closely related piece from the Eumorfopoulos Collection and now preserved in the British Museum, London, is illustrated in R.L. Hobson, The George Eumorfopoulos Collection of Chinese, Corean and Persian Pottery and Porcelain, London, 1925-8, vol. V, pl. E 314; a fractionally larger one in the in the Ohlmer Collection, Roemer Museum, Hildescheim, is published in Ulrich Wiesner, Chinesisches Porcelain, Mainz, 1981, pl. 87; and another from the Meiyintang Collection, illustrated in Regina Krahl, Meiyintang Collection, London, 1994-2010, vol. II, pl. 856,  was sold in our Hong Kong rooms, 7th April 2011, lot 23. Another bowl of this type was sold in our Hong Kong rooms, 5th October 2017, lot 3643; and one from the Morton and Grace Gordon Collection was sold at Christie’s New York, 24th March 2011, lot 1146.