拍品 65
  • 65

CHRISTOPHER WILLIAMS | Selected Images from Angola to Vietnam*

估價
25,000 - 35,000 USD
招標截止

描述

  • Christopher Williams
  • Selected Images from Angola to Vietnam*
  • Each 11 x 14 inches
a group of 5 photographs and one offset print on magazine page, comprising Indonesia #14, Lebanon #15, Namibia #17, Angola #1, Sri Lanka #23, and Brasil, each signed, titled, dated, editioned, and numbered in pencil on the reverse, framed, 1989, each one from the edition of 5 plus 3 artist's proofs (6)

來源

Galerie Crousel Robelin, March 1990

出版

Christopher Williams, Angola to Vietnam* (Gent, 1989), pls. 1, 14, 15, 17, 23, and 28

Condition

This group of photographs is in overall excellent condition. The individual plates are as follows: Indonesia, #14 (ed. 1/5) Sri Lanka, #23 (ed. AP 1/3): The upper margin edge is gently rippled. There are hinge remnants along the upper and lower edges on the reverse. Angola, #1 (ed. 1/5) Namibia, #17 (ed. 5/5): There are hinge remnants at the corners on the reverse. Lebanon, #15 (ed. 1/5): The lower margin edge is gently rippled. 'Brasil' (magazine page): There is a price sticker, inherent to the work, on the image. The reverse is signed, titled 'Brasil,' dated '1989', and editioned '1/5' in pencil.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

拍品資料及來源

Reproduction and appropriation have long been central to the art of Christopher Williams, who studied in the 1970s at the California Institute of the Arts under pioneering conceptual artist John Baldessari.  For his 1989 series Angola to Vietnam*, Williams photographed selected flower replicas from the Harvard Botanical Museum’s Ware Collection of Blaschka Glass Models.  At first glance, Williams’ photographs are evocative of Karl Blossfeldt’s micro-photography of the early 20th century.  Unlike Blossfeldt’s faithful enlargements of buds, leaves, and flowers which were intended as tools for students of art and design, Williams’ photographs are replicas of replicas and their taxonomic classification is not by botanical genus but rather by country of origin.  In Angola to Vietnam*, each of Williams' 'specimens' are titled after countries where political disappearances in 1985 were detailed in 'Disappeared! Technique of Terror' (Commission on International Humanitarian Issues, 1986). Brasil, an unmodified Elle magazine cover and the 28th image in the series, is perhaps the greatest representation of Williams’ penchant for appropriation and a precursor to his images of the 2000s that cleverly blur the line between fine art and advertising imagery.