- 7
佛蘭茲·韋斯特
估價
400,000 - 600,000 USD
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招標截止
描述
- Franz West
- 《西西弗斯》
- 混凝紙、泡沫塑料、卡紙、漆及壓克力彩
- 67 x 60 x 42 英寸,170.2 x 152.4 x 106.7 公分
- 2002年作
來源
詹姆斯·凱利當代畫廊,聖塔菲
現藏家2004年購自上述畫廊
現藏家2004年購自上述畫廊
展覽
紐約,高古軒畫廊,〈佛蘭茲·韋斯特的西西弗斯:廢棄雜物〉,2003年2月-3月,20頁,載彩圖
布雷根茲,布雷根茲美術館,〈佛蘭茲·韋斯特:我們拒絕運煤〉,2003年7月-9月,載彩圖
聖塔菲,詹姆斯·凱利當代畫廊,〈佛蘭茲·韋斯特:手搖琴〉,2004年7月-9月
巴爾的摩,巴爾的摩藝術博物館;洛杉磯,洛杉磯藝術博物館,〈佛蘭茲·韋斯特:蓋房子從屋頂開始-1972-2008年作品〉,2008年10月-2009年6月,91頁載彩圖;276頁載彩圖,品號29
達拉斯,納希爾雕塑中心,〈從紙張到雕塑〉,2017年10月-2018年2月,頁碼不詳,載彩圖及局部彩圖
布雷根茲,布雷根茲美術館,〈佛蘭茲·韋斯特:我們拒絕運煤〉,2003年7月-9月,載彩圖
聖塔菲,詹姆斯·凱利當代畫廊,〈佛蘭茲·韋斯特:手搖琴〉,2004年7月-9月
巴爾的摩,巴爾的摩藝術博物館;洛杉磯,洛杉磯藝術博物館,〈佛蘭茲·韋斯特:蓋房子從屋頂開始-1972-2008年作品〉,2008年10月-2009年6月,91頁載彩圖;276頁載彩圖,品號29
達拉斯,納希爾雕塑中心,〈從紙張到雕塑〉,2017年10月-2018年2月,頁碼不詳,載彩圖及局部彩圖
出版
克里絲汀·梅林,〈交戰工具〉,《Artforum雜誌》,2008年10月
〈醒來只見喪屍:佛蘭茲·韋斯特專訪〉,《LMCA會訊》,2009年3月-4月,封面載彩圖
克里斯托弗·奈特,〈藝評:洛杉磯藝術博物館的佛蘭茲·韋斯特展〉,《洛杉磯時報》,2009年3月31日,載彩圖
伊萊恩·金,〈雕塑:與佛蘭茲·韋斯特對談〉,《Sculpture雜誌》,2009年6月28日,47頁(內文)
〈醒來只見喪屍:佛蘭茲·韋斯特專訪〉,《LMCA會訊》,2009年3月-4月,封面載彩圖
克里斯托弗·奈特,〈藝評:洛杉磯藝術博物館的佛蘭茲·韋斯特展〉,《洛杉磯時報》,2009年3月31日,載彩圖
伊萊恩·金,〈雕塑:與佛蘭茲·韋斯特對談〉,《Sculpture雜誌》,2009年6月28日,47頁(內文)
Condition
This work is in excellent condition. As per the nature of the papier-mâché medium, there are minor areas of lifting paper which correspond to the execution of the work. All are stable. Overall, there are scattered small areas in which the paint appears to exhibit minor drying cracks, corresponding to the uneven surface of the papier-mâché medium. This is predominantly noted in the areas of light pink and light blue pigment.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
拍品資料及來源
"West's Sisyphos series of unusually large papier-mâche sculptures are named for the mythical king of Ephyra whose hubris regarding his own cleverness led Zeus to punish him by requiring him to roll a heavy boulder up a steep hill, only to have it roll down again just before reaching the top...Sisyphos IX appears intimidatingly massive and almost comically precarious, its unwieldy form balanced on one narrowed edge, caught in a moment of stasis through disproportionately tiny cylinders wedged beneath it." (Exh. Cat., Dallas, Nasher Sculpture Center, Paper Into Sculpture, 2017, n.p.)