拍品 101
  • 101

GEORGE CONDO | Double Figure Composition

估價
40,000 - 60,000 GBP
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招標截止

描述

  • 喬治・康多
  • Double Figure Composition
  • signed and dated 06
  • coloured pencil and crayon on paper
  • 63.2 by 48.5 cm. 24 7/8 by 19 1/8 in.

來源

Skarstedt Gallery, New York
Acquired from the above by the present owner

Condition

Colour: The colours in the catalogue illustration are fairly accurate, although the paper tone is slightly cooler in the original. Condition: This work is in very good condition. The sheet is attached verso to the backing mount on all four corners and all edges are deckled. Very close inspection reveals some very light undulation, which is likely to be original to the work's execution.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

拍品資料及來源

“Condo’s portraits… ultimately return our attention to the varied responses that they trigger in us. They confront us with the curious fact that we can feel pity and ridicule for something at the same time, or sympathy and revulsion. In the end, these imaginary portraits lead us to wonder at the schizoid and contradictory character of our own natures. And they leave us to revel in what Soberg memorably termed ‘the irresolvable clownishness of being’” (Ralph Rugoff, The Imaginary Portraits of George Condo, New York 2002, p. 14).