- 1106
仇英(款) | 臨劉松年《竹林七賢圖》
估價
20,000 - 40,000 USD
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招標截止
描述
- 臨劉松年《竹林七賢圖》
- 設色絹本 手卷
- 27.5 x 142.5 厘米,10 3/4 x 56 英寸
款識:仇英實父製。鈐印:仇英 引首:(張大千)仇實父臨劉松年《竹林七賢圖》。此實父臨古之作,故與本家筆墨不同。實父向不自署名款,三十以來為彭年代筆,四十以後為文嘉,五十則客居項墨林家,墨林又為之代署。此卷蓋彭年所書,以是定為少作。爰。鈐印:大千唯印大年 題跋:(王寵 款)《七賢行略》山濤,字巨源,河內人也。少有器量,介然不羣。性好《老》、《莊》,與嵇康、呂安善,後遇阮籍,便為竹林之交。年四十始為郡主簿、功曹,景帝累遷吏部郎,武帝以濤為吏部尚書。論兵闇合孫、吳,飲酒至八斗方醉。王戎,字濬冲,琅邪人也。父渾,涼州刺史。戎幼而穎悟,神彩秀徹,視目不眩。裴楷見而目之曰「戎目爛爛,如巖下電」。為人短小,任率不修,威儀善發譚端。少阮籍二十歲,而籍与之交。每過視戎,良久而去。累遷豫州刺史後,遷吏部尚書。阮籍,字嗣宗,陳留尉氏人。容貌環衛,志氣宏放。任情不羈,而喜怒不行於色。或閉戶視書,累月不出。或登山臨水,經日忘歸。博覽羣籍,尤好《老》、《莊》。嗜酒能嘨,善彈琴。文帝拜為東平相。又能為青白眼。時率意獨駕,不由徑路,車跡所窮,轍痛哭而返。阮咸,字仲容。任達不拘,与叔父籍為竹林之遊,歷散騎侍郎。山濤舉咸典選,武帝以咸躭酒浮虛,遂不用。咸玅解音律,善彈琵琶。雖處不交人事,惟共親知絃歌酣宴而已。以壽終。嵇康,字叔夜,譙國銍人。銍有嵇山,家於其側,因而命氏。身長七尺八寸,善詞,氣有風儀。人以為龍章鳳姿,天資自然。拜中散大夫。常修養性服食之事,著《養生論》。彈琴詠史,自足於懷。至汲郡山中,見孫登康,遂從之游。向秀,字子期,河內懷遠人。清悟有遠識,雅好《莊》、《老》之學。莊周著內、外數篇,秀乃為之隱解,彂明奇趣,振起玄風。後入洛,鄰人有吹笛者,其聲寥亮。追想曩昔嵇生竹林遊宴之好,感音而嘆,作《思舊賦》云。位至散騎常侍。劉伶,字伯倫,沛國人。容貌甚陋,放情肆志。常乘鹿駕,攜一壺酒,使人何鋤而隨之,謂曰「死便埋我。」嘗醉与俗人相忤,其人攘袂奮拳而往,伶徐曰「雞肋不足以安尊拳。」其人笑而止。伶未嘗厝意文翰,惟著《酒德頌》一篇。為建威參軍,竟以壽終。嘉靖丙戌歲,仲穐既望,書于采雲庒精舍。雅宜山人王寵。鈐印:王寵、王履吉印(陸師道 款)晉阮籍、嵇康、劉伶,皆曠達異士,不可羈絆。山濤、王戎從之竹林下,其志趣豈易量耶。阮籍之咲與其哭於途,何意趣不同也。今十州仇君圖像於前,雅宜先生書略于後。一展卷間,而清風潒如視波繪,妖冶而紀艷詞者,不啻淵壤矣。覽者當自得之。五湖居士陸師道跋。鈐印:符璽大夫 鑒藏印:(章绶衔)子檗寓賞、章氏紫伯鑒賞、讀漢書樓、苕上章仔百流覽所及(屈均宰)丼蘇流覽、行素學齋長物
Condition
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我們很高興為您提供上述拍品狀況報告。由於敝公司非專業修復人員,在此敦促您徵詢其他專業修復人員,以獲得更詳盡、專業之報告。
準買家應該檢查每件拍品以確認其狀況,蘇富比所作的任何陳述均為主觀看法而非事實陳述。雖然本狀況報告或有針對某拍品之討論,但所有拍賣品均根據印於圖錄內之業務規則以拍賣時狀況出售。
我們很高興為您提供上述拍品狀況報告。由於敝公司非專業修復人員,在此敦促您徵詢其他專業修復人員,以獲得更詳盡、專業之報告。
準買家應該檢查每件拍品以確認其狀況,蘇富比所作的任何陳述均為主觀看法而非事實陳述。雖然本狀況報告或有針對某拍品之討論,但所有拍賣品均根據印於圖錄內之業務規則以拍賣時狀況出售。
拍品資料及來源
Zhang Daqian's frontispiece:
Qiu Shifu's copy of Liu Songnian's Seven Sages of the Bamboo Grove. This copy of an ancient painting by Shifu is naturally different than an original work by him. Shifu was not in the habit of signing works with his own name. Before age thirty Peng Nian signed on his behalf, and after age forty it was Wen Jia. At age fifty he lived as a guest at the home of Xiang Molin, who also had signed Shifu's works on his behalf. The signature of this scroll bears the style of Peng Nian, must be a work by Shifu when he was young.
Qiu Shifu's copy of Liu Songnian's Seven Sages of the Bamboo Grove. This copy of an ancient painting by Shifu is naturally different than an original work by him. Shifu was not in the habit of signing works with his own name. Before age thirty Peng Nian signed on his behalf, and after age forty it was Wen Jia. At age fifty he lived as a guest at the home of Xiang Molin, who also had signed Shifu's works on his behalf. The signature of this scroll bears the style of Peng Nian, must be a work by Shifu when he was young.