- 341
PIERRE BONNARD | Le Pressoir au Grand-Lemps
估價
50,000 - 60,000 EUR
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招標截止
描述
- Pierre Bonnard
- Le Pressoir au Grand-Lemps
- signed P. Bonnard and dated 93 (lower left)
- oil and pencil on panel
- 79,1 x 47,6 cm; 31 1/8 x 18 3/4 in.
- Painted in 1893.
來源
Wildenstein & Co. Ltd., Paris
Private collection, London (by 1968)
Sale: Christie's, New York, May 5, 2011, lot 362
Acquired at the above sale by the present owner
Private collection, London (by 1968)
Sale: Christie's, New York, May 5, 2011, lot 362
Acquired at the above sale by the present owner
展覽
Tokyo, Le Musée National d'Art Occidental & Kyoto, Le Musée National d'Art Moderne, Bonnard, 1968, no. 9, illustrated pl. 14 (titled Les Vendanges ou Le Pressoir au Grand-Lemps and dated 1895)
Tokyo, Wildenstein, Bonnard/Vuillard/K.X. Roussel, 1974, no. 5, illustrated
Gifu, The Museum of Fine Arts, Tournant de la peinture entre la seconde moitié des années 1880 et les années 1890 théories artistiques et peinture française, 1993, no. 163, illustrated p. 96
Nogoya, Aichi Prefectoral Museum of Art & Tokyo, The Bunkamura Museum of Art, Pierre Bonnard, 1997, no. 7, pp. 50 and 234-35, illustrated p. 51
Tokyo, Wildenstein, Bonnard/Vuillard/K.X. Roussel, 1974, no. 5, illustrated
Gifu, The Museum of Fine Arts, Tournant de la peinture entre la seconde moitié des années 1880 et les années 1890 théories artistiques et peinture française, 1993, no. 163, illustrated p. 96
Nogoya, Aichi Prefectoral Museum of Art & Tokyo, The Bunkamura Museum of Art, Pierre Bonnard, 1997, no. 7, pp. 50 and 234-35, illustrated p. 51
出版
Jean & Henry Dauberville, Bonnard, Catalogue raisonné de l'œuvre peint, Paris, vol. IV, no. 01735, illustrated p. 141
Condition
The panel is sound. There is a milky varnish preventing UV light from fully penetrating, however examination under UV light appears to reveal a vertical line of retouching (approx. 5 cm long) above the figure's head, a few horizontal lines of retouching to the lower right quadrant, a few further small dots of retouching in places and some small dots and lines of retouching along the extreme edges. Close inspection reveals three small paint losses to the upper part of the right edge and a few further smaller flecks of paint losses in places, notably to the woman's chest. There is some minor frame rubbing along the extreme edges. This work is in overall good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."