- 27
SAM FRANCIS | Untitled (SFF.1501)
估價
350,000 - 450,000 EUR
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招標截止
描述
- 山姆·弗朗西斯
- Untitled (SFF.1501)
- signed and dated 1989 on the reverse
- acrylic on canvas
- 122 x 167,5 cm; 48 x 65 15/16 in.
- Executed in 1988.
來源
Galerie Jean Fournier, Paris
Galerie Deux, Tokyo (acquired in July 1989)
Private Collection, New York
Private collection, California
Jonathan Novak Contemporary Art, Los Angeles
Private Collection, Lausanne
Sale: Christie's, Dubai, International Modern and Contemporary Art, 31 October 2007, lot 164
Galerie Brimaud, Paris
Private Collection, France
Galerie Deux, Tokyo (acquired in July 1989)
Private Collection, New York
Private collection, California
Jonathan Novak Contemporary Art, Los Angeles
Private Collection, Lausanne
Sale: Christie's, Dubai, International Modern and Contemporary Art, 31 October 2007, lot 164
Galerie Brimaud, Paris
Private Collection, France
展覽
Paris, Galerie Jean Fournier, Sam Francis, de 1947 à 1988, sur papier, 21 October - 26 November 1988
Paris, Galerie Jean Fournier, Sam Francis: Toiles de grand format 1988 et 1989, 27 May - 1 July 1989
Paris, Galerie Jean Fournier, Sam Francis: Toiles de grand format 1988 et 1989, 27 May - 1 July 1989
出版
Exh. Cat., Galerie Delhaive, Sam Francis: Remembering 1923-1994, Amsterdam, 2004, p. 120, illustrated
Exh. Cat., Danubiana Art Museum, Sam Francis: Retrospective in Blue, Bratislava, 2010, p. 253, illustrated
Debra Burchett-Lere, Ed., Sam Francis: Catalogue Raisonné of Canvas and Panel Paintings 1946-1994, Berkeley, 2011, no. 1501, illustrated in colour on the DVD
Exh. Cat., Danubiana Art Museum, Sam Francis: Retrospective in Blue, Bratislava, 2010, p. 253, illustrated
Debra Burchett-Lere, Ed., Sam Francis: Catalogue Raisonné of Canvas and Panel Paintings 1946-1994, Berkeley, 2011, no. 1501, illustrated in colour on the DVD
Condition
The colours are fairly accurate in the catalogue illustration. The work is executed on its original canvas and is not relined. Visible under close inspection, there are few minor stabilized hairline cracks located on the dark green impasto near the left edge and in the upper right quadrant. Under UV light inspection, there is no trace of any restoration. This work is in very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
This work is identified with the archival identification number of SFF.1501 in consideration for the forthcoming addendum to the Sam Francis: Catalogue Raisonné of Canvas and Panel Paintings, to be published by the Sam Francis Foundation. This information is subject to change as scholarship continues by the Sam Francis Foundation.