ANTONIO BORTONE | Bust of the Goddess Isis

Overall the condition of the marble is very good, with minor dirt and wear to the surface consistent with age. There are several small naturally occurring inclusions to the marble, notably an area to the neck, and to the top of the headdress and the proper right shoulder; some of these have been filled. There are some re-attachments to the feathers of the headdress at the back. There is a minor restoration to the top of the socle at the back. There are a few very small chips at some of the high points and edges.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Born in Lecce, Bortone initially studied with Tito Angelini at the Naples Academy before moving to Florence, where he established his practice until his death in 1938. In Tuscany, Bortone came under the influence of Giovanni Dupré. His Ideal statues include Il Gladiatore, Ippocrate, La Carità Religiosa, and Fanfulla da Lodi. Bortone had a long and active career executing a large number of monuments throughout Italy. The present bust is a fine example of the sculptor's skill at carving different surface textures.