拍品 31
  • 31

PIERRE DE SOETE | Baigneuse (Bather)

估價
15,000 - 20,000 GBP
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招標截止

描述

  • Pierre de Soete
  • Baigneuse (Bather)
  • signed: P. de Soete and entitled: BAIGNEUSE
  • white marble
  • 95cm., 37 3/8 in. 

Condition

Overall, the condition of the marble is very good, with minor dirt and wear to the surface consistent with age. There is particular dirt to the crevices of the base an around the feet. There is veining to the marble, consistent with the material, including a slightly open circular vein at the proper right hip. There are a few naturally occurring inclusions, including to the proper left upper thigh and around the knee, to the back between the shoulder blades and to the proper left buttock and upper thigh at the back. There are two small stucco fills to the top of the base. There are minor chips and abrasions to the bottom edge of the base.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

拍品資料及來源

The prolific Belgian sculptor Pierre de Soete is perhaps best known for having modelled the 'Minerva' busts decorating the cars of this world-famous Belgian manufacturer. His oeuvre was, however, diverse, encompassing marbles as well as bronzes, and ranging from figures of athletes to large-scale public monuments. His work is today found in museums in Belgium and beyond. This ravishing marble nude showcases the sculptor's talent in the rendition of the human form.

RELATED LITERATURE
M. Marx and C. Engelen, Beeldhouwkunst in België: vanaf 1830, Leuven, 2002, pp. 530-535