陳文希

直接購自藝術家
香港蘇富比，2012年4月2日，拍品編號301
現藏者購自上述拍賣
新加坡私人收藏

This work is in good overall condition as viewed. There is extremely light craquelure to areas of thinner impasto, only visible upon very close inspection, but this is very stable and consistent with the medium and age of the work. Examination under ultraviolet light reveals very tiny and minor areas of restoration on the work. Framed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

“In painting, once you’ve attained competence in various aspects, oil painting becomes your foundation. So you can express your own view in an oil painting. When it isn’t right, you can make amendments. In this way, the painting can be brought to maximum perfection. It’s like that in most cases, but not all. Some people were good with watercolours, but in most cases they produced very good oil paintings too.” -Chen Wen Hsi¹

¹Chen Wen Hsi, Convergences: Chen Wen Hsi Centennial Exhibition, Vol II, Singapore Art Museum, Singapore, 2006, p. 32