- 230
雅絲明·席松
描述
- Yasmin Sison
- 起伏
- 款識:畫家簽名、書題目並紀年2008(背面)
- 油彩畫布,共兩部分
來源
Acquired from the above sale by the present owner
Private Asian Collection
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
The water never formed to mind or voice,
Like a body wholly body, fluttering
Its empty sleeves; and yet its mimic motion
Made constant cry, caused constantly a cry,
That was not ours although we understood,
Inhuman, of the veritable ocean.
The sea was not a mask. No more was she.
The song and water were not medleyed sound
Even if what she sang was what she heard,
Since what she sang was uttered word by word.
It may be that in all her phrases stirred
The grinding water and the gasping wind;
But it was she and not the sea we heard."
The Idea of Order at Key West, Wallace Stevens
One of the leading contemporary female Filipino artists, Yasmin Sison’s work explores the nexus between perception and reality, interplaying nature and man to produce bold, forward-thinking paintings. The present lot is one of Yasmin Sison’s most iconic pieces. It is a monumental commentary on the ambiguity of creative engagement, the relationship between the infinite and the particular, and the arduous process through which we create meaning.