鑽石配綠色石榴石別針, JAR

• 蔥葉鑲圓形綠色石榴石
• 蔥白鑲1顆圓角長方形鑽石及多顆鑽石
• 附工坊標記
• 年份約1989
• 附鑲有小顆珍珠之品牌展示架
*拍品資料以英文為主，中文翻譯僅供參考

The Jewels by JAR, Paris, The Somerset House, London, 2002-2003.

Jewels by JAR, The Metropolitan Museum of Art, New York, November 20, 2013-March 9, 2014.

Illustrated in The Jewels by JAR, Paris Exhibition, The Somerset House, London, 2002-2003, page 268.

In good condition, with minor scratches to the platinum base. Stamped 750 for 18 karat gold and with workshop mark. The modified round corner rectangular-cut diamond weighing approximately 6.00 carats, is approximately H-I color, VS clarity. The accenting single-cut near colorless diamonds weigh a total of approximately 10.80 carats, are approximately D-F color, VS2-SI1 clarity. The garnets range from medium light strongly yellowish green to vibrant medium-deep green, bright and eye-clean to slightly included. Length 3½ inches.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. Illustrations in the catalogue may not be actual size. Prospective purchasers are reminded that, unless the catalogue description specifically states that a stone is natural, we have assumed that some form of treatment may have been used and that such treatment may not be permanent. Our presale estimates reflect this assumption.Certificates of Authenticity: Various manufacturers may not issue certificates of authenticity upon request. Sotheby's is not under an obligation to furnish the purchaser with a certificate of authenticity from the manufacturer at any time. Unless the requirements for a rescission of the sale under the Terms of Guarantee are satisfied, the failure of a manufacturer to issue a certificate will not constitute grounds to rescind the sale. Gemological Certificates and Reports: References in the catalogue descriptions to certificates or reports issued by gemological laboratories are provided only for the information of bidders, and Sotheby's does not guarantee and accepts no responsibility for the accuracy, terms or information contained in such certificates or reports. Please also note that laboratories may differ in their assessment of a gemstone (including its origin and presence, type and extent of treatments) and their certificates or reports may contain different results.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Born in New York City, Joel Arthur Rosenthal studied art history at Harvard University before heading to Paris to pursue his passion for creating jewelry. His shop was established on Place Vendôme in 1977 with no signs or windows, just his initials on the façade, which remain today. Widely acknowledged as being the most talented jeweler of his generation, his name is synonymous with exquisite artistry in jewelry. He is best known for using unconventional gems and materials in unexpected color combinations when creating one-of-a-kind pieces for his exclusive clientele including Elizabeth Taylor, Elle Macpherson, Ann Getty and Stephanie Seymour.

Frequently inspired by nature, JAR often draws on rather ordinary subjects, then transforming them into whimsical, unique works of art. Each piece imparts his creative vision and stands to tell a story of its own. The present brooch is no exception: the meticulous micro-pavé, seamless gradations of color and the undulating form of the plant all unite to bring this quintessentially JAR jewel to life. This spectacular brooch is accompanied by a decorative presentation stand, proving that this imaginative jewel is just as striking as an objet d’art as it is when being worn.