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清十八世紀 碧玉雕老子出關圖插屏
估價
200,000 - 300,000 USD
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招標截止
描述
- Jade and rosewood dalbergia
crisply carved to both sides with mountain bluffs hosting pines, waterfalls, and wisps of clouds, one side with a section of the Great Wall spanning a high ravine, the philosopher Laozi riding a water buffalo toward the frontier official Yin Xi, each accompanied by attendants, the reverse with two stags by a pavilion, the stone of deep green in varying tonalities, wood stand (2)
來源
倫敦佳士得1996年6月10日,編號152
S. Bernstein & Co.,舊金山
S. Bernstein & Co.,舊金山
Condition
In overall good condition. There are scattered very minor chips to the extremities of the carving. Two corners possibly were bruised and then polished, or are contoured to the stone's inherent qualities. The stone has inclusions and natural fissures that enhance visual depth. There is also a translucence and softness to the stone not readily apparent in the catalogue image, and the stone is actually a slightly deeper green and a bit less yellow than the color in the printed catalogue.Please note that this lot includes a stand, frame or other component made from a type of Chinese hardwood, which, if exported, will require a CITES permit to leave the United States.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
拍品資料及來源
本品插屏,雕工深利,紋飾繁密,彰顯玉質通透潤亮。乾隆帝主張插屏及山子等玉雕須帶歷代名家畫意,本品風格技巧,均屬十八世紀御作典型。據載,高宗曾命工匠照其御藏古畫雕玉,其中包括五代山水大家關仝所作之《關山行旅圖》等。
插屏雕飾,描繪老子出關典故。據傳,老子因避亂世而欲雲隱,西行至函谷關時為關令尹喜阻攔求書,遂作成《道德經》首稿留於後人,而關令尹喜亦因遇老子後得道,號文始真人,仙階無上真人(見 Livia Kohn,,《Journal of Chinese Religion》,卷25(1),1997年,頁83-139)。
觀本屏雕工精巧,玉材上乘,製作時期應在乾隆平定准噶爾回部和闐、莎車等良玉盛產地以後。乾隆二十四年之前,玉材稀少,楊伯達曾述,至乾隆六年,清宮藏玉精者僅十件,殘者六十六件,見,《Jade》,倫敦,頁146。乾隆西征之後,玉材源源,玉雕由是流行於中國。如意館,宮廷作,聘巧匠製玉,並運玉材至宮廷所轄八作,其中以蘇州為首,製作監控嚴格,上奉朝廷者,必經細選。
參考一較大碧玉插屏例,同雕老子出關圖,出自 Robert C. Bruce、Ian Beattie 夫人及 Djahanguir Riahi 伉儷收藏,曾售倫敦蘇富比1961年11月21日,編號163,後易手於倫敦佳士得1969年11月3日,編號157,再售於巴黎蘇富比2017年6月22日,編號6(圖一)。另見一例,售於紐約蘇富比1979年11月10日,編號251。舊金山亞洲藝術博物館 Avery Brundage 收藏一件老子出關圖山子例,圖見 M.Knight 等,《 Chinese Jades: Ming Dynasty to Early Twentieth Century from the Asian Art Museum of San Francisco》,舊金山,2007年,圖版360。
插屏雕飾,描繪老子出關典故。據傳,老子因避亂世而欲雲隱,西行至函谷關時為關令尹喜阻攔求書,遂作成《道德經》首稿留於後人,而關令尹喜亦因遇老子後得道,號文始真人,仙階無上真人(見 Livia Kohn,,《Journal of Chinese Religion》,卷25(1),1997年,頁83-139)。
觀本屏雕工精巧,玉材上乘,製作時期應在乾隆平定准噶爾回部和闐、莎車等良玉盛產地以後。乾隆二十四年之前,玉材稀少,楊伯達曾述,至乾隆六年,清宮藏玉精者僅十件,殘者六十六件,見,《Jade》,倫敦,頁146。乾隆西征之後,玉材源源,玉雕由是流行於中國。如意館,宮廷作,聘巧匠製玉,並運玉材至宮廷所轄八作,其中以蘇州為首,製作監控嚴格,上奉朝廷者,必經細選。
參考一較大碧玉插屏例,同雕老子出關圖,出自 Robert C. Bruce、Ian Beattie 夫人及 Djahanguir Riahi 伉儷收藏,曾售倫敦蘇富比1961年11月21日,編號163,後易手於倫敦佳士得1969年11月3日,編號157,再售於巴黎蘇富比2017年6月22日,編號6(圖一)。另見一例,售於紐約蘇富比1979年11月10日,編號251。舊金山亞洲藝術博物館 Avery Brundage 收藏一件老子出關圖山子例,圖見 M.Knight 等,《 Chinese Jades: Ming Dynasty to Early Twentieth Century from the Asian Art Museum of San Francisco》,舊金山,2007年,圖版360。