蒲華 攏石叠雲冊

款識：
〈一〉 叠雲。蒲華。
〈二〉 米顛以皺瘦透為訣。華。
〈三〉 摹黃鶴山樵。胥山野史。
〈四〉 峭石立四壁。作英。
〈五〉 石亦有石之情。作英。
〈六〉 石筍亦宜奇特不平。作英。
〈七〉 摩詰變體作荷葉皴，頗有飄忽之趣。蒲華。
〈八〉 學大癡。作英。
〈九〉 梅道人大意。作英。
〈十〉 擬雲林法。作英。
〈十一〉 雁宕有此奇致者。蒲華。
〈十二〉 石不能言最可人。庚寅仲冬。蒲華。

鈐印：「作英」（八鈐）、「蒲華」（兩鈐）、「作英」（兩鈐）。

-signs of restoration can be found on two leaves, where there appears to be paper loss in the blank area previously. Otherwise, generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

註：蒲作英擅寫竹，常伴以石，本冊卻純取奇石異態為題，有玲瓏精巧如案頭之擺設，有縮龍成寸如移山之一角，或渾厚，或崚嶒，各呈天然之狀，兼有效前人寫石之技法，上溯米顛以迄元四家，實經畫家消融演化，筆墨沉實厚重，見自家面貌。冊中無上款，或供自賞，或如其繪竹之「竹譜」， 不無示畫石技法以傳之意。