查爾斯·伊姆斯及雷·伊姆斯

This work is designed in the 1960s, produced later. 

亞洲私人收藏

〈赫爾曼·米勒收藏，一九五二年：喬治·納爾遜及查爾斯·伊姆斯家具設計，並收錄野口勇、彼得· 富特和O.M.尼爾森等設計作品〉生產商圖錄（Acanthus Press出版社，一九五二年）108頁（相似版數）
〈伊姆斯設計：查爾斯·伊姆斯及雷·伊姆斯的辦公室作品〉Charles Miers編，John Neuhart，Marilyn Neuhart 及雷·伊姆斯著（紐約，H.N. Abrams出版社，一九八九年）79頁（相似版數）
〈伊姆斯設計〉 （日本，東京，東京都美術館及大阪，三得利博物館，二〇〇一至二〇〇二年）257頁（相似版數）

This work is in good condition overall. Evidence of general wear in handling observed across the surface of the work. Faint scratches are found scarcely scattered across the panels, the most prominent located on the second panel from the left 65 cm down from the top edge, and the far right panel 20 cm down from the top edge. Minor signs of abrasion are observed, primarily on the reverse of the first panel on the left 10 cm from the top edge, and the third panel from the left 59 cm down from the top edge. Evidence of light accretion is observed on the reverse of the top right corner of the panel on the far right. A faint grey mark is found located on the third panel from the far right 7cm down from the top edge, visible only upon close examination. All aforementioned condition issues are consistent with age and use of the work.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."