湯貽汾 1778-1853

釋文：昔年作詩窟，門臨放生池。池蓮四五畝，骨肉偕娛嬉。豈期五十載，詩窟復在前。池蓮日對酒，仍從放生移。放生魚已老，蓮則今無遺（去春移蓮于放生池，其夏池遂無蓮）。恠哉放生蓮，造物于我私。昔年作詩窟，師窟我未知。一咲豈非讖，冥冥已告之。此感夙緣耳，惜值囊空時。安能恐揮霍，吐我胸中奇。花南與水北，樓閣明□善。飽啜粥翁粥，狂唫詩庫詩。餘年亦足樂，何用神仙為。所痛板與真，兼抱鴒原悲。顧影一身子，井臼還雞司。豈無兒與女，一一出世遅。往事共誰語，滄桑觀髩絲。花前勸卮酒，嬌小憐楊枝。囬首五十年，腸斷難為辭。

款識：道光甲辰（一八四四）夏日，余昔年所居之地，名曰「師子窟」。今閒窓蕭爽，漫寫此圖以記，一時之感。雨生湯貽汾并題。鈐印：貽汾丶龍山琴隱、雨生訨畫



署簽：（盛宣懷）湯雨生自題《詩窟圖》。丙午（一九〇六）秋，愚齋鑒藏。



題後隔水：（林熊光）五六年前，上海盛氏携其先人杏蓀宫保公遺藏之書畫來遊，頒歸諸同好，而余亦讓得數種，此其壹也。近日讀《愚齋東遊日記》，有於東京文求堂及西京各書肆購買中國古籍千餘種而歸。事於時相去尚未半紀而其遺愛返舶載東來，人事循環，殊堪嘆息。卷簽乃宮保公手跡。甲申（一九四四）中秋八月，朗庵。鈐印：熊光



題跋：
（劉麟生）貞愍氣節雄一世，豈惟詩畫騁三絕。澹墨秀潔宜通神，高風寧為俗士悅。謫居江戶紛覓畫，每逢佳帙惟恐忽。唫情獨佔師子窟，風帆漁唱氣奔發。五十年間三易手，翰墨滄桑雅難說。浩蕩鄉愁戀夕暉，煙波苦憶成嗚咽。辛卯（一九五一）立秋前三日，為道瞻吾兄詩家題，宣閣弟劉麟生。钤印：劉麐生丶宣閣
（范道瞻）湯貞愍公此幀以庚寅（一九五〇）歲得於林朗庵先生家。喜其筆致疏秀，頗寶愛之。盖公與戴文節公同為道、咸間山水巨擘，清初自四王吳惲以降，其風氣頹廢者，両公稍稍振之。而殉節之義烈，又復相類，宜其並為世重也。是秋，伯謹先生省余橫濱，偶見此卷，讚揚備至，故迺求其題跋。又月餘，於先生家見何道州七言聯兩幅，皆入妙品。余固少學道州書，見而愛之，強携其一以歸，函請先生容以他畫相易。不意先生竟慨然以何聯相贈，心甚感之。因思湯貞愍畫卷先生頻加青眼，舉以還報，其庶幾乎。語於先生，先生固辭。爰書顛末送諸先生，以高其義而識不忘。時辛卯（一九五一）十月十九日，書於橫濱山手客邸之西窗。鈐印：行嚴丶范道瞻印
（溥儒）後素之事降及乾、嘉，作者雖有秀潤之氣，而筆恆細弱。戴文節起振救徵，始宗董、巨。湯貞愍清逸俊爽，文翰並茂。況兩公大節峥嶸，昭垂彫史，故其能傳於世，有重於丹青者也。此卷憶其舊居詩窟而作，庸詎知成仁取義，泰山之重，去詩窟霄壤哉。伯謹兄藏此畫，非僅賞其能事，有景行崇賢之意，故表而出之。丙申（一九五六）春三月，西山逸士溥儒拜題。鈐印：心畬丶溥儒



鑒藏印：
（林熊光）寶宋室、朗盦心賞、朗庵所得精品、林朗庵鑒藏印
（范道瞻）范道瞻
（張伯謹）伯謹所藏
學廬珍藏、行唐張氏還庵鑒賞印

Sotheby's New York, Fine Chinese Paintings, November 26, 1990, lot 135

1. Transcending Turmoil: Painting at the Close of China's Empire 1796-1911, Phoenix Art Museum, August 22-October 4, 1992; Denver Art Museum, November 7, 1992-January 3, 1993; Honolulu Academy of Arts, March 17-April 19, 1993; Hong Kong Museum of Art, May 14-July 18, 1993
2. Scent of Ink: The Roy and Marilyn Papp Collection of Chinese Painting, Phoenix Art Museum, September 2-October 9, 1994; The Chrysler Museum, Virginia, November 13, 1994-January 8, 1995; Museum für Ostasiatische Kunst, Berlin, September 9-November 11, 1995; Museum für Kunst und Gewerbe, Hamburg, December 15, 1995-February 18, 1996; China Institute, New York, February 4-June 10, 1998
3. Le Parfum de l'encre: Peintures Chinoises de la Collection Roy et Marilyn Papp, Musée Cernuschi, September 23-December 30, 1999
4. Lyrical Traditions: Four Centuries of Chinese Paintings from the Papp Collection, The Frist Center for the Visual Arts, Nashville, June 22-October 7, 2007

1. Transcending Turmoil: Painting at the Close of China's Empire 1796-1911, Phoenix Art Museum, 1992, cat. 17, pp. 58-61
2. Claudia Brown, "Heritage of the Brush: The Roy and Marilyn Papp Collection of Chinese Painting", in Orientations, vol. 22, no. 9, September 1991, fig. 13, p. 82
3. Scent of Ink: The Roy and Marilyn Papp Collection of Chinese Painting, Phoenix Art Museum, 1994, cat. 39, pp. 130-131
4. Le Parfum de l'encre: Peintures Chinoises de la Collection Roy et Marilyn Papp, Musée Cernuschi, 1999, cat. 40, pp. 143-145

- Paper bears a tanned tone. - Faint foxing spots can be found. - Occasional wormholes.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.