張崟 1761-1829

款識：松溪歸棹。丁卯（一八〇七）夏六月，張崟寫。鈐印：張崟之印、寶嚴

一、《筆翰之遺—羅伊與瑪麗蓮 · 派普夫婦珍藏中國繪畫》，鳳凰城藝術博物館，一九八九年三月十八日—五月七日；西北大學瑪麗和利布洛克藝術博物館，一九九〇年三月八日—四月廿二日；哈佛大學阿瑟 · 赛克勒藝術博物館，一九九一年九月廿八日—十一月廿四日；堪薩斯大學史賓賽藝術博物館，一九九二年十月廿五日—十二月廿七日；俄亥俄州哥倫布藝術博物館，一九九三年四月十八日—六月二十日；威斯康辛大學艾維翰藝術博物館，一九九四年一月廿九日—三月二十日；加利福尼亞州克羅克藝術博物館，一九九七年十月三十日—十二月卅一日；喬治亞大學喬治亞藝術博物館，一九九九年一月卅一日—三月廿八日；佛蒙特大學弗萊明藝術博物館，二〇〇〇年十月三日—十二月十日
二、《詞意流傳—跨越四百年的中國繪畫》，納什維爾弗里斯視覺藝術中心，二〇〇七年六月廿二日—十月七日

一、鈴木敬（編），《中國繪畫總合圖錄》（第四卷：日本篇II—寺院 · 個人），東京大學出版會，一九八三年，圖版JP14-165，第IV-275頁
二、《筆翰之遺—羅伊與瑪麗蓮 · 派普夫婦珍藏中國繪畫》，鳳凰城藝術博物館，一九八九年，圖錄編號38，第106頁

- Silk bears tanned tone due to age. - Restoration of ink loss and ink loss can be found here and there. - Minor scratches.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.