- 547
蘇仁山 1814-1850
估價
12,000 - 22,000 USD
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招標截止
描述
- Su Renshan
- 深山樓臺
- 設色絹本 立軸
款識：世伯賢淳先生正畫，道光九年（一八二九）孟春月，仁山十五齡蘇長春作於語香小園。鈐印：仁山、長春之章
題畫心：戊子（一八二八）十二月望後二日，吾友賢淳劉君以素絹索吾兒長春畫山水。至己丑（一八二九）正月而畫成，幾一月矣。山環月榭，樹擁星樓，珠箔香籠，玉欄花覆，亦得一富貴觀也。遂題短章於其上，意率詞蕪，不過家庭中飯餘樂事。止索吾友劉君一哂，不敢更索旁觀大雅笑也。
詩云「千門玉宇望中開，寫得方壺樣子來。陋巷半生嫌住久，教兒筆下起樓臺。樓臺籠樹樹籠煙，真個壺中小洞天。細認綠陰深院落，似曾清夢到遊仙。遊仙曾到蕊珠傍，樓外欄杆花外廂。看不分明人隔幙，玉童低說杜蘭香。蘭香言贈尚書紳，致囑修成畫裏人。無限天機隨意會，江山如錦草如茵。瑤草如茵遍滿豀，欄杆十二與雲齊。畫圖真與遊仙合，非是狂奴在撰題。」
願如蘇引壽題於清夢山齋。鈐印：在乎山水之間、引壽印、歲齋學者（二鈐）、□□主人
題畫心：戊子（一八二八）十二月望後二日，吾友賢淳劉君以素絹索吾兒長春畫山水。至己丑（一八二九）正月而畫成，幾一月矣。山環月榭，樹擁星樓，珠箔香籠，玉欄花覆，亦得一富貴觀也。遂題短章於其上，意率詞蕪，不過家庭中飯餘樂事。止索吾友劉君一哂，不敢更索旁觀大雅笑也。
詩云「千門玉宇望中開，寫得方壺樣子來。陋巷半生嫌住久，教兒筆下起樓臺。樓臺籠樹樹籠煙，真個壺中小洞天。細認綠陰深院落，似曾清夢到遊仙。遊仙曾到蕊珠傍，樓外欄杆花外廂。看不分明人隔幙，玉童低說杜蘭香。蘭香言贈尚書紳，致囑修成畫裏人。無限天機隨意會，江山如錦草如茵。瑤草如茵遍滿豀，欄杆十二與雲齊。畫圖真與遊仙合，非是狂奴在撰題。」
願如蘇引壽題於清夢山齋。鈐印：在乎山水之間、引壽印、歲齋學者（二鈐）、□□主人
展覽
一、《絹紙行旅—羅伊與瑪麗蓮 · 派普夫婦珍藏中國繪畫》，鳳凰城藝術博物館，一九九八年二月廿八日—四月十九日
二、《詞意流傳—跨越四百年的中國繪畫》，納什維爾弗里斯視覺藝術中心，二〇〇七年六月廿二日—十月七日
三、《中國繪畫中愛與死之隱意—羅伊與瑪麗蓮 · 派普夫婦珍藏精選》，鳳凰城藝術博物館，二〇一三年四月廿七日—九月二日
二、《詞意流傳—跨越四百年的中國繪畫》，納什維爾弗里斯視覺藝術中心，二〇〇七年六月廿二日—十月七日
三、《中國繪畫中愛與死之隱意—羅伊與瑪麗蓮 · 派普夫婦珍藏精選》，鳳凰城藝術博物館，二〇一三年四月廿七日—九月二日
出版
一、《絹紙行旅—羅伊與瑪麗蓮 · 派普夫婦珍藏中國繪畫》，鳳凰城藝術博物館，一九九八年，圖錄編號50，第160—162頁
二、《中國繪畫中愛與死之隱意—羅伊與瑪麗蓮 · 派普夫婦珍藏精選》，鳳凰城藝術博物館，二〇一三年，圖錄編號26，第57、90頁
二、《中國繪畫中愛與死之隱意—羅伊與瑪麗蓮 · 派普夫婦珍藏精選》，鳳凰城藝術博物館，二〇一三年，圖錄編號26，第57、90頁
Condition
- Silk bears tanned tone due to age.
- Restoration of silk loss can be found.
- Painting silk stitch can be found in the middle of the scroll.
- Light red mould can be found here and there on the painting.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
拍品資料及來源
Note:
Su Yinshou is the father of the artist.
Su Yinshou's inscription:
A thousand doors to the jade firmament open under the full moon.
This painting seeks to evoke the [mythic isle of] fanghu.
For half of my life I lived, alas, in a humble alley.
So I taught my son to paint splendid towers and terraces.
These towers and terraces enclose trees, and trees enclose the mist.
Truly this is like a small cosmos in a [tea]pot.
With care, I can discern the green shades that fill the courtyard.
Have I not visited this immortal land in my dream?
- Journeys on Paper and silk, p. 160
Su Yinshou is the father of the artist.
Su Yinshou's inscription:
A thousand doors to the jade firmament open under the full moon.
This painting seeks to evoke the [mythic isle of] fanghu.
For half of my life I lived, alas, in a humble alley.
So I taught my son to paint splendid towers and terraces.
These towers and terraces enclose trees, and trees enclose the mist.
Truly this is like a small cosmos in a [tea]pot.
With care, I can discern the green shades that fill the courtyard.
Have I not visited this immortal land in my dream?
- Journeys on Paper and silk, p. 160