- 528
徐枋 1622-1694
Estimate
35,000 - 55,000 USD
Log in to view results
bidding is closed
Description
- Xu Fang
- 天平泉石
- ink and color on paper, handscroll
款識：天平泉石之勝，甲於吳山，范文正公之祠在焉。祠前古樹尤奇，丹翠夭矯如虯龍，數百年物也。自涉山麓迤邐而上龍山，兩石矗立，其高幾丈。中通一徑，登山者必從中而過。白雲泉有鉅石如扆，崚嶒磅礴。石有罅如綫，泉從中出，涓涓成池。而老樹蒼籐，每於峭壁危峰之上，縈絡參差，扶踈蔭覆，使遊人步步可以憩息。一若山靈，自愛其奇，不□人之窮。而經過者，每踞石磴，仰觀俯眺，左右旁矚，容不暇給。而最勝者，則蓮華洞也。其蹊徑之屈曲、梯磴之瑰奇、峰巗之崢嶸、竹樹之蔥蔚，誠有所謂「善畫者莫能圖」。而屋宇結構因巗倚石，使置不佞，坐此可以忘歸矣。
辛未（一六九一）春日畫并題，俟齋徐枋。鈐印：澗上、居易堂印、徐枋之印、俟齋、古沙、徐白子俟齋畫記、笠山笠水間
引首：（楊繼振）雪牀厂主天平泉石圖記。丙辰（一八五六）夏六月，南湖水檻消暑題。天藤居士楊繼振又雲父，時年卅又六。鈐印：繼震、又雲
裱隔水署簽：（錢楷）徐俟天平山圖真跡精品，錢楷題。
題跋：
（翁綬祺）（一）俟齋先生吳人，崇正壬午（一六四二）孝廉，明季隱木瀆山中，足迹不履塵市者四十年。文辭淵博，長於史學，与宣城沈壽民、嘉興巢鳴盛為海內三遺民。一時名，公卿巨室爭欲延致之，厚幣㕥聘，俱謝不受。湯文正橅吳，慕其人，兩屏騶從訪之，不淂一面。空山窮餓，枯寂潛居，以書画易米以自膽。相傳先生喂一馴驢，往往斷炊，畫一紙粘驢背，另寫一帖需米鹽若干斤，付驢入市。時人見之，淂其画如拱璧，即以米鹽易之。其驢帖然往返，從無所失慤。誠之感物亦効，靈可敬也。先生草書學《十七帖》，畫法荊、關，一筆不茍，設色者尤少見。山重水複，結構巖整，其凝重之氣露於筆端。議者稍嫌其板滯，亦先生岸毅之本色也。此卷絢染纎妍，經營慘淡。以南宗面目寓北宗氣息，与先生平時筆墨迥然不同。可見學有根砥者無所不能也。乃以孤介貞敏之筆，寫宋賢祠堂之景。傑出一時之佳搆，亦天地正氣所鐘。故流傳三百年，精潔無纎塵之滓。神物護持為何如者，幸勿与詞林翰墨共列缥緗，海內鑒家諒不河漢余言也。辛亥（一九一一）二月上旬，松陵翁綬琪識于桂林。鈐印：翁綬祺、心頭陀
（二）回憶卅年前，与彭蔚岩、洪肇東諸君游天平山。看楓葉丹黃，滿（谷）風景依然。今蔚岩、肇東均歸道山。余飄泊瘴鄉，塵肩未脫。對斯圖也，不獨山陽之感，并觸蓴鱸之思（滿字下脫一谷字）。印若又識於陽朔舟次。鈐印：人形肖形印
（王同愈）先生隱於上沙之澗上草堂，余歲省墓於無隱蓭，必經過其地。老屋數椽，澗水出其下，為之神往。是卷為楊氏星鳳堂中物，澹逸蒼秀，實未不經見之作。冝又雲之鈴印累累，珍若球圖也。又雲為春宇（冝振）侍郎之弟，富收藏，銘心絕品必令妾徐氏掌之。今禫尾有「月嫣妾徐所掌」一印，可覘是卷之品題矣。壬子（一九一二）長至日又獲觀，王同愈。鈐印：栩緣眼福
盒蓋刻字：徐俟齋天平山圖真迹精品。番禺黃氏珍藏。鈐印：黃
鑒藏印：
（楊繼振）辛卯、楊繼震印、又雲齋、弘農楊氏世家、韻蘭心賞、楊、又雲秘笈、又雲收藏、星鳳堂、愛不釋手、繼振秘玩、蓮公、月嫣妾徐所章
（方濬頤）曾在方夢園家
（翁綬琪）寶李室、松陵翁綬琪鑒定真跡
（鄧蒼梧）鄧蒼梧寶俟齋秘籍（二鈐）
辛未（一六九一）春日畫并題，俟齋徐枋。鈐印：澗上、居易堂印、徐枋之印、俟齋、古沙、徐白子俟齋畫記、笠山笠水間
引首：（楊繼振）雪牀厂主天平泉石圖記。丙辰（一八五六）夏六月，南湖水檻消暑題。天藤居士楊繼振又雲父，時年卅又六。鈐印：繼震、又雲
裱隔水署簽：（錢楷）徐俟天平山圖真跡精品，錢楷題。
題跋：
（翁綬祺）（一）俟齋先生吳人，崇正壬午（一六四二）孝廉，明季隱木瀆山中，足迹不履塵市者四十年。文辭淵博，長於史學，与宣城沈壽民、嘉興巢鳴盛為海內三遺民。一時名，公卿巨室爭欲延致之，厚幣㕥聘，俱謝不受。湯文正橅吳，慕其人，兩屏騶從訪之，不淂一面。空山窮餓，枯寂潛居，以書画易米以自膽。相傳先生喂一馴驢，往往斷炊，畫一紙粘驢背，另寫一帖需米鹽若干斤，付驢入市。時人見之，淂其画如拱璧，即以米鹽易之。其驢帖然往返，從無所失慤。誠之感物亦効，靈可敬也。先生草書學《十七帖》，畫法荊、關，一筆不茍，設色者尤少見。山重水複，結構巖整，其凝重之氣露於筆端。議者稍嫌其板滯，亦先生岸毅之本色也。此卷絢染纎妍，經營慘淡。以南宗面目寓北宗氣息，与先生平時筆墨迥然不同。可見學有根砥者無所不能也。乃以孤介貞敏之筆，寫宋賢祠堂之景。傑出一時之佳搆，亦天地正氣所鐘。故流傳三百年，精潔無纎塵之滓。神物護持為何如者，幸勿与詞林翰墨共列缥緗，海內鑒家諒不河漢余言也。辛亥（一九一一）二月上旬，松陵翁綬琪識于桂林。鈐印：翁綬祺、心頭陀
（二）回憶卅年前，与彭蔚岩、洪肇東諸君游天平山。看楓葉丹黃，滿（谷）風景依然。今蔚岩、肇東均歸道山。余飄泊瘴鄉，塵肩未脫。對斯圖也，不獨山陽之感，并觸蓴鱸之思（滿字下脫一谷字）。印若又識於陽朔舟次。鈐印：人形肖形印
（王同愈）先生隱於上沙之澗上草堂，余歲省墓於無隱蓭，必經過其地。老屋數椽，澗水出其下，為之神往。是卷為楊氏星鳳堂中物，澹逸蒼秀，實未不經見之作。冝又雲之鈴印累累，珍若球圖也。又雲為春宇（冝振）侍郎之弟，富收藏，銘心絕品必令妾徐氏掌之。今禫尾有「月嫣妾徐所掌」一印，可覘是卷之品題矣。壬子（一九一二）長至日又獲觀，王同愈。鈐印：栩緣眼福
盒蓋刻字：徐俟齋天平山圖真迹精品。番禺黃氏珍藏。鈐印：黃
鑒藏印：
（楊繼振）辛卯、楊繼震印、又雲齋、弘農楊氏世家、韻蘭心賞、楊、又雲秘笈、又雲收藏、星鳳堂、愛不釋手、繼振秘玩、蓮公、月嫣妾徐所章
（方濬頤）曾在方夢園家
（翁綬琪）寶李室、松陵翁綬琪鑒定真跡
（鄧蒼梧）鄧蒼梧寶俟齋秘籍（二鈐）
Exhibited
1. Scent of Ink: The Roy and Marilyn Papp Collection of Chinese Painting, Phoenix Art Museum, September 2-October 9, 1994; The Chrysler Museum, Virginia, November 13, 1994-January 8, 1995; Museum für Ostasiatische Kunst, Berlin, September 9-November 11, 1995; Museum für Kunst und Gewerbe, Hamburg, December 15, 1995-February 18, 1996; China Institute, New York, February 4-June 10, 1998
2. Le Parfum de l'encre: Peintures Chinoises de la Collection Roy et Marilyn Papp, Musée Cernuschi, September 23-December 30, 1999
3. Lyrical Traditions: Four Centuries of Chinese Paintings from the Papp Collection, The Frist Center for the Visual Arts, Nashville, June 22-October 7, 2007
2. Le Parfum de l'encre: Peintures Chinoises de la Collection Roy et Marilyn Papp, Musée Cernuschi, September 23-December 30, 1999
3. Lyrical Traditions: Four Centuries of Chinese Paintings from the Papp Collection, The Frist Center for the Visual Arts, Nashville, June 22-October 7, 2007
Literature
1. Fang Xunyi, Mengyuan Shuhua lu, juan 17, (Zhongguo Shuhua Quanshu, vol. 17, Shanghai: Shuahua Chubanshe, 2009, 2nd ed., p. 479)
2. Scent of Ink: The Roy and Marilyn Papp Collection of Chinese Painting, Phoenix Art Museum, 1994, cat. 12, pp. 40-44
3. Le Parfum de l'encre: Peintures Chinoises de la Collection Roy et Marilyn Papp, Musée Cernuschi, 1999, cat. 13, pp. 50-54
4. Claudia Brown, Great Qing: Painting in China, 1644-1911, University of Washington Press, 2014, fig. 1.15, p. 18
2. Scent of Ink: The Roy and Marilyn Papp Collection of Chinese Painting, Phoenix Art Museum, 1994, cat. 12, pp. 40-44
3. Le Parfum de l'encre: Peintures Chinoises de la Collection Roy et Marilyn Papp, Musée Cernuschi, 1999, cat. 13, pp. 50-54
4. Claudia Brown, Great Qing: Painting in China, 1644-1911, University of Washington Press, 2014, fig. 1.15, p. 18
Condition
- Overall in good condition except that paper bears darkened tone and minor loss of paper.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.