- 38
楊·戴維茨·德·赫姆
描述
- Jan Davidsz. de Heem
- 《靜物:白鑞碟上的桃子與葡萄、檸檬及櫻桃,桌面鋪綠色帛布》
- 款識:畫家簽名J. De. heem f(右上)
- 油彩畫板,背面附畫板工匠François de Bout印章
來源
With Wheeler, London;
With P. de Boer, Amsterdam;
In the collection of the family of the present owner since at least 1958.
展覽
Dordrecht, Dordrechts Museum, Nederlandse stillevens uit de zeventiende eeuw, 21 July – 2 September 1962, cat. no. 61;
Amsterdam, Gallery P. de Boer, 22 April – 31 May 1983; Braunschweig, Herzog Anton-Ulrich-Museum, 15 June – 31 July 1983, A Fruitful Past: A Survey of the Fruit Still lifes of the Northern and Southern Netherlands from Brueghel till Van Gogh, no. 35.
出版
S. Segal in A Fruitful Past: A Survey of the Fruit Still lifes of the Northern and Southern Netherlands from Brueghel till Van Gogh, exhibition catalogue, Amsterdam and Braunschweig 1983, pp. 72, 119, cat. no. 35, reproduced;
I. Ember, Delights for the senses: Dutch and Flemish still-life paintings from Budapest, exhibition catalogue, Wasau 1989, p. 140, under no. B20.
Condition
"This lot is offered for sale subject to Sotheby's Conditions of Business, which are available on request and printed in Sotheby's sale catalogues. The independent reports contained in this document are provided for prospective bidders' information only and without warranty by Sotheby's or the Seller."
拍品資料及來源
The panel is stamped on the reverse with the maker's mark of François de Bout, a panel maker active in the 1630s and 1640s. Only two other works by de Heem are known to make use of a de Bout panel; the above-mentioned panel sold in 2012, and the signed Still life with fruit formerly with Galerie J.-M. Tassel, Paris, 1988 (35.2 x 52 cm), which Fred Meijer dates to 1649.
This work will be included in the forthcoming catalogue raisonné on Jan Davidsz. de Heem, currently being prepared by Fred G. Meijer of the RKD, The Hague. Dr Meijer dates the painting to 1646.
1. See W. Liedtke, Dutch Paintings in the Metropolitan Museum of Art, New Haven and London 2007, vol. I, pp. 316–17, no. 74, reproduced.