梅忠恕

Private Collection, Japan

The work is in good condition overall. Upon close observation, there is evidence of a slight discolouration on the top right quadrant, a faint run on the top left quadrant and a very gentle crease on the bottom left quadrant (near the table leg). No restoration has been detected under ultraviolet light light examination. Framed, under Plexiglas.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Mai Thu is celebrated for his skill in painting with ink and gouache on silk, with the paintings being seen as a combination of Eastern aesthetics with the French salon style. He was inspired by traditional folk themes centering on domestic scenes and daily activities. The paintings often depicted people and scenes from the artist’s past, instilling a sense of nostalgia for the rustic fragrance of everyday Vietnamese life from a bygone era.

Deux Fillettes stands out from his oeuvre as a special piece portraying the intimate rapport amongst friends. The scene engages the audiences to reminiscence about their childhood. The two girls are creating a silent dialogue as they read a book together. The artist often painted domestic scenes, exemplifying the value of community and human relationship. In the current work both girls are seated on a bench, the gracefully decorated furniture seen as a bridge that physically and mentally connects them together, thus symbolizing their sisterly bond.

The present painting alludes to the artist’s sentimental longing for his childhood. Mai Thu’s application of silk further enhances the mood of the narrative, the pastel colours gifting the figures with a special elegance and charm. Deux Fillettes is scented by Mai Thu’s love for a bygone era, for his paintings are respected as vignettes of Vietnamese life, moments from his personal history that are serene and peaceful.