拍品 431
  • 431

亨德拉·古拿溫

估價
1,200,000 - 2,200,000 HKD
招標截止

描述

  • Hendra Gunawan
  • 《賣花小販》
  • 款識:畫家簽名
  • 油彩畫布

Condition

This work is in good overall condition as viewed. There is a fine network of craquelure throughout the surface, consistent with the age of the work. Examination under ultraviolet light reveals no sign of restoration. Framed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

拍品資料及來源

Hendra Gunawan’s paintings are imprinted in Indonesian history as some of the most treasurable images of daily life. As a social being that delighted in the quotidian happenings from the streets of his nation, Hendra documents everyday moments to express the humanity and humility within. The present painting, Penjual Bunga (Flower Vendors), exemplifies Hendra’s reverence for femininity, the feminine beauty, and maternity, which is consistently featured in his paintings through various expressions.

Hendra depicts a close up of three women amid a bed of flowers enraptured by the perfume of fresh blooms, which evokes the famous Three Graces painting by the Flemish Baroque painter Rubens. Composed in an unusual vertical format, he creates a dialogue with the faces and gestures of the three women. They unravel in a sinuous curve from top to bottom, emphasising the inherent feminine quality of this painting.

Furthermore, the artist’s penchant for detail is illustrated in the minutiae of this work, evident in the women’s clothing and bright petals. His rhythmic and sinuous brushstrokes applied from a restrictive colour palette provide the painting with a whimsical sense of movement and liveliness. Hendra immortalizes these women as numinous, charmed creatures in nature.

Evident in this painting, Hendra rejoiced in monumentalizing the exquisiteness of Indonesian women, always depicted as active individuals so full of capacity and strength. In this simple exchange, the artist notices their ability to support one another, foster meaningful relationships and demonstrate profound maternity as they go about their day. At once elusive and approachable, these women are absolutely enchanting.  For Hendra, while community initiates life, it is his women who initiate the binds that perpetuate it.