- 215
納堤·尤塔瑞
估價
600,000 - 800,000 HKD
招標截止
描述
- Natee Utarit
- 《樂觀是荒唐的》
- 款識：畫家簽名、題款並紀年12（背面）
- 油彩亞麻布
來源
Private Collection, Singapore
展覽
Singapore, Richard Koh Fine Art, Optimism is Ridiculous II, 22 Jan - 22 Feb 2013
Condition
This work is in good overall condition as viewed. Framed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
“There is an interplay between the reality of paintings as physical objects and their truth as images, provided they speak to our reality, cannot easily be distinguished. When we peer into a painting, it is logic and instinct together which dictate whether we should stop and question the reality in front of us or dive headlong into the inner world of the picture”.
The artist cited in Natee Utarit: Survey 1991-2006, Numthong Gallery, Bangkok, 2009, p. 160