晚明 黃花梨攢接卍字紋圍子羅漢床

床座為標準格角攢邊，下有四根支承帶二端出榫納入大邊。四框內緣踩邊打眼造軟屜，現用椰棕網與舊蓆是更替品。邊抹立面打窪踩委角線至底端壓一窄平線。束腰與直牙條格肩接合方材直腿足，牙子沿邊踩委角線延續連接至腿足一氣呵成。長牙條內有一枚穿銷貫上床座大邊用以加強穩固性。下座構件通體打窪。方材直腿足至底端內縮成方形矮足承。活動式的正面與側面圍子用短材攢接成卍字圖案。

嘉木堂，香港

嘉木堂，《中國古典家具香港倫敦精選》，香港，2001年，頁71–73
伍嘉恩，〈明式家具二十年經眼錄之一 床榻〉，《紫禁城》第160期，紫禁城出版社，北京，2008年5月，頁134–135，141
伍嘉恩，《明式家具經眼錄》，故宮出版社，北京，2015年，頁241

As expected of a bed of this size and rarity kept in a domestic setting, there are surface wear and bruises to the edges, especially losses and minor bruises to the legs, including a section of approx. 3 by 2.5 cm to the back of the left leg. There is a minor stabilised area across one of the scrollwork to the back right lower section of the back. As typical for Ming furniture, the matting has been periodically replaced, in this case the present coconut webbing and old mat seat.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

此具黃花梨攢接圍子羅漢床設計優美，精工細做。圍子以攢接法將短材組成明代盛行的卍字紋圖案。圍子以及下座構件通體打窪，腿足至底端內縮成方形矮承足結束，非常特別，把羅漢床輕微的提升起來。

獨板圍子羅漢床用料講究，珍貴異常，而攢接圍子羅漢床則以明代匠師的卓越工藝技法取勝。以攢接法將短材組成圖案成圍子，是傳世明末清初羅漢床實例最為稀少的種類，不單只由於活動式的正面與側面圍子可裝可拆，易與床座分離，攢接法造圍子也比獨板圍子較難保存，所以特别罕見。

國立歷史博物館，《風華再現：明清家具收藏展》，台北，1999年，頁108–109收錄 Tseng Riddell 收藏的一具造型相似但為馬蹄足設計的羅漢床。