- 31
北宋/金 定窰白釉印穿花飛雁紋盤
估價
50,000 - 60,000 GBP
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招標截止
描述
- stoneware
the foliate-shaped centre of the shallow, flat-bottomed dish finely moulded with a flying goose with its wings outstretched and feathers carefully delineated, surrounded by a wreath of lotus, tightly enclosed within a hexalobed border with encircling scroll of tree peonies, the everted rim crisply moulded with peonies borne on a leafy vine with small buds, applied overall with an ivory glaze with characteristic teardrop streaks running down the exterior, metal bound rim
來源
紐約蘇富比2005年3月31日，編號35
展覽
《中國文物集珍 : 敏求精舎銀禧紀念展覽》，香港藝術館，香港，1985-1986年，編號127
《敏求精舍三十週年紀念展》，香港藝術館，香港，1990-1991年，編號89
《敏求精舍三十週年紀念展》，香港藝術館，香港，1990-1991年，編號89
Condition
There is a 1 cm long glaze tear to the interior and a few scattered iron spots, as well as small pieces of kiln adhesion to the sides of the exterior. It is slightly warped, otherwise the dish is in overall good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
本盤巧飾飛雁於花叢間，線條寫意流暢，上罩一層象牙色白釉。定窰瓷器盛行於十至十二世紀，多為日常生活器皿如盌、盤等，最初多留光素或手工雕刻。自北宋晚期以降，工匠減少使用刻花工藝，轉而用蘑菇形模具印花，與鑄造金銀器的方法類似。模具上有凸出花紋，工匠將粘土壓至模具上，後再修整口沿，保持器形與輕薄度不變。以此工藝得以大批燒造，生產倍增，滿足市場需求。
本品精巧細緻，極為珍稀。如斯造型的盤例，並同飾花鳥紋者，多欠細膩紋飾細節，兩例藏於台北國立故宮博物院，載於《故宮宋瓷圖錄：定窰、定窰型》，台北，1973年，圖版66及67；牛津大學阿什莫林博物館另藏一例，載於Jan Wirgin所著之《宋代瓷器設計》，斯德哥爾摩，1970年，圖版100b；另有兩例曾分別於蘇富比出售，其一出自M.H. Soames少校及G.A. Kolkhorst舊藏，先後於1954年6月29日（編號14）及1959年2月17日（編號60）售出，其二售於1966年4月26日，編號21。大阪市立東洋陶瓷美術館內藏有一葵口盤例，飾有相關紋飾，1999年曾展於東京東武博物館《宋瓷》展覽，編號31。
此盤紋飾與同期銀器及織錦相若，可見定窰瓷器受金屬器皿的影響。柯玫瑰在1982年倫敦出版的《宋瓷》第102頁寫道，定窰「傾向於模仿其他珍貴材質如金、銀器，在王宮府庫內有大量儲藏」。南昌江西省博物館內藏有一葵口銀盤，飾雙雁飛翔於荷花間，載於《中國金銀玻璃琺瑯器全集》第二冊，石家莊，2004年，圖版216（右）。參見倫敦大英博物館藏一緙絲掛幅，上飾花鳥圖案，載於馬熙樂所著之《中國絲綢，文化歷史》，倫敦，2004年，圖版84。