王翬 1632-1717

署簽：王石谷仿倪高士山水。南海黃氏珍藏。
釋文：我別故人無十日，衝煙艇子又重來。門前積雨生幽草，墻上春云覆綠苔。放浪一生棋局裏，破除萬事酒盃中。清虛事業無人觧，聽雨移時又聽風。沒逕春泥不出門，山煙江霧晝長昏。槽床聲雜茅檐雨，破卻陰寒酒自溫。郯子論詩冀北空，晤言千里意常同。待晴紫陌堪縈手，行咏山光水影中。至正十四年二月廿五日雨，郯君九成賦絕句四首云：「杏花簾幕看春雨，深巷無人騎馬來。獨有倪寬能憶我，黃昏躡屐到蒼苔。」「春色三分都有幾，二分已在雨聲中。牆東兩箇桃花樹，恨殺朝來一番風。」「十日春寒早閉門，風風雨雨怕黃昏。小齋坐對黃金鴨，寂寞沉香火自溫。」「春寒時節病頭風，惆悵年光逝水同。世事總如春夢裏，雨聲渾□杏花中。」倪瓚留宿高齋，篝鐙為寫《春林遠岫圖》，并次韻四詩題畫上，詩若畫成，夜漏下三刻矣。佩韋齋中書。
款識：倪元鎮《春林遠岫圖》世傳有二，余皆得見之。此幅為荊溪吳氏收藏，筆墨澹遠，款字精楷，與他本不相類真元人中逸品也。暇日偶橅一過，雖遠不迨古，亦自謂稍得形似耳。歲在癸丑(1673)暮春之初，烏目山中人王翬并識。鈐印：「王翬之印」(二鈐)、「石谷子」、「又字石谷」
鑒藏印：「雲巢審定」

- Minor horizontal cracks and creases - Minor wormholes and paper loss, restored
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

註：此圖呈一河兩岸式，遠山泉流石疊，近岸茅舍樹木，以折帶皴描繪山石，賦以淡墨，感覺輕淡幽寂，表現出典型的倪瓚畫意。倪雲林在棄家居舟前後，與吳興郯韶交情甚密，至正十四年便留宿於其佩韋齋，郯九成賦詩，雲林寫成《春林遠岫圖》，詩畫唱和，成文人雅事。至王翬時期，《春林遠岫圖》已流傳二本，石谷皆得見之，稱荊溪吳氏所藏本為元人逸品，更據此本摹繪成圖，並自謙稍得形似而已。惜倪瓚《春林遠岫圖》今下落未明，唯此石谷摹本可竊探一二。

黃桂棻(1874-1953)，字松庵，一字桂庵，晚號橘叟，廣東順德人，能詩，擅山水，著有《黃松庵山水冊》。與梁鼎芬、葉恭綽、李研山等粵地畫家時有往來，當中與梁鼎芬交情甚督，亦師亦友，光緒年間梁鼎芬受命為兩湖書院監督時，黃桂棻亦於此執鞭授教，二人常有書信及詩文交流。30年代後期移居香港，潛心創作。

本輯源於黃桂棻先生後人，藏品從未公開，皆以明清名家書畫為主，重其筆墨流露、氣質面貌，或有表現對該畫家之看法。