張大千 摩詰山園圖

款識：
鬢鬚染雪吾衰矣，衣袂生寒秋已深。任笑流亡甘作客，豈暇揀擇此投林。
聲名合眼無餘味，饑飽牽腸付苦吟。珍重故人相問訊，滯歸逕欲習蠻音。
摩詰山園涉事，大千居士爰。

鈐印：「張爰」、「大千居士」。

原藏者直接得自畫家
香港蘇富比，一九九七年四月，中國書畫拍賣，編號311

-Creases can be found in the middle and upper section of the painting, which can be improved by restoration. Otherwise, generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

註：五十年代初期，大千先生投荒南美，輾轉於阿根廷、巴西間，終闢地建園於聖保羅市郊之地，築摩詰山園以居。該地雖遠離塵囂，華僑聚居者甚眾，結鄰以伴，同聲相應，頗有往還，不少締訂友誼如賀寧一，甚或結為兒女親家如李子章，他們多獲書畫貽贈。本幅出於畫家在當地的鄰居友人，六十年代過從頗密，先後得其作品多幀，題材遍及山水、人物、花卉、蔬菜，尺幅非一般應酬小品，皆四尺甚或六尺大幛，題識俱無上款，惟據署年從庚子夏至孟秋，可知這批作品應屬同期得自畫家。

六十年代初，摩詰山園規模已成，湖亭、花圃，依山傍水，景色幾如四川故地，且常有舊交造訪，畫家雖身處夷域，仍可藉此一慰思鄉之情，筆下遂出多幅以摩詰山園入景之作，畫中多取五亭湖為主景，傍及園中山水秀色，本幅則不拘於實景地貌，改以傳統構圖狀之，山水連綿，茅廬結鄰，其境幽致，設色以花青、赭石為主，筆墨秀潤，見元人逸韵。題詩中「珍重故人相問訊，滯歸逕欲習蠻音」句，可知該處生活漸已調適，下筆時心境順暢。

參考資料：
出自同一來源之張大千〈香遠益清〉可參見〈張大千110歲書畫紀念特展〉圖錄，（台北，國立歷史博物館，二○○九年四月），頁211
出自同一來源之張大千〈蒼海雲帆〉、〈南山真意〉可參見〈情義之交 ─「游藝堂」藏張大千書畫集〉（香港蘇富比，二○一二年九月），圖版83及84