于非闇 玉蘭鸚鵡

款識：
故內禁囿五色鸚鵡，德宗時在玉蘭花前樂壽堂下。甲子歲始移稷園，去夏化去，為之寫照。安甫仁兄屬製圖，即乞正之。癸未孟冬。非闇照。

鈐印：「于照私印」、「非闇寫生」、「與古為徒」、「非闇書畫印」。

展覽及著錄：
台北，國父紀念館，〈遷想妙得 ─ 中國近現代書畫擷萃〉，二○一四年十二月二十日至二○一五年一月二十日，並刊於圖錄，頁56-57

-Signs of restoration can be found near the inscription along the right edge, where there appears to be paper cracks and paper losses previously. Otherwise, generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

註：時樂鳥，俗謂之五色鸚鵡，來自嶺表，乃伍廷芳獻予慈禧，養於禁苑。溥儀出宮後，移稷園。于非闇擅寫花鳥，對物寫生，多次援引此鳥入畫，見諸畫迹，或始自一九四○年。鳥立枝頭，僅背景花卉有異，或冬梅、春杏、秋桐，皆取法道君皇帝，用筆工緻，設色濃淡相宜，極盡物態，蓋其曾目遇宋徽宗〈五色鸚鵡卷〉於廠肆，以畫精兼題字多，深賞之，惜被日商購去，故日後屢寫之，以古代名迹與眼前寫生之物結合，遂成筆下之特定題材。本幅寫於四三年，時五色鸚鵡年前已化去，遂憶寫其狀，即為當年慈禧寢宮「樂壽堂」玉蘭花前之景。

參考資料：
以冬梅為背景之〈五色鸚鵡〉可參見〈中國近現代繪畫叢刊 ─ 于非闇〉（台北，雅墨文化事業有限公司，二○一○年十二月），圖版50
以春杏為背景之〈杏花鸚鵡〉可參見〈名家翰墨〉第18期，于非闇特集（香港，翰墨軒，一九九一年七月），頁40
以秋桐為背景之〈時樂鳥圖〉可參見〈中國近現代繪畫叢刊 ─ 于非闇〉（台北，雅墨文化事業有限公司，二○一○年十二月），圖版43