鄭重賓

二〇一二年作
款識：Chongbin，重賓，2012。

亞洲私人收藏

Overall in good condition. There is light wear and tear on the edges of the artwork, which can be improved with remounting. The artwork can be hung in four different orientations.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

鄭重賓的藝術不斷挑戰二維空間中的空間感，《三面體》正是探索的過程中最獨特的作品。藝術家嘗試在水墨結構和質感創造更豐富的水墨語彙，更在媒材中加入壓克力彩，為作品增添不同面向。此外，鄭重賓的作品仍保留了傳統中國元素。他表示：「宋代水墨的核心在於以更自由空靈的方式觀照表現自然之美。」他又提到：「圖像空間與想像空間是一個對應體。這是一種時空交替的體驗。悟性就是這種狀態的升華。『心象』是中國畫中的一個重要概念，超越了媒材，是我們觀察世界的方式。」¹

¹_{〈鄭重賓專訪：藝情「移景」〉，蘇富比，香港，四月二〇一六，7頁}