白髮一雄

約一九五九年作

一九五九年年直接從吉原治良及山本道子購藏
菲利浦穆楚斯舊藏


*正當具體派冒起，打進國際藝壇，已故建築師及軍官穆楚斯直接從具體派中購藏作品。穆楚斯獲他的藝術家好友Yamamoto Noriko引領下，在一九五九年大阪的旅程中，先後購藏了嶋本昭三, 田中敦子, 元永定正及白髮一雄的精品

This work is generally in good condition. Upon close inspection, there is a minor crack and a tiny paint loss near the right edge of the work, located along the upper length of the border. A gentle abrasion is visible on the impasto area located also along the right edge of the work, slightly below the aforementioned paint loss. When examined under ultraviolet light, there appears to be no evidence of restoration.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

「我認為看著紅色的鮮血流過門板或是緩慢的從無力搖晃的手臂慢慢滴下，是一種迷人的美麗…童年時，岸和田花車祭的血腥衝擊，依舊強烈的影響著我的藝術。」 --白髮一雄談關於日本傳統花車祭