- 2758
張大千 峨眉三頂
估價
1,000,000 - 1,500,000 HKD
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招標截止
描述
- Zhang Daqian (Chang Dai-chien, 1899-1983)
- 設色紙本 立軸 一九四七年作
- ink and colour on paper, hanging scroll
款識：
雲腳生暉，桂梢凝露，此夕飄香千里。白也狂歌，換（淒涼）身世，笑登眺，橫絕嵯蛾雪點青鬂，向老鄉山如醉。暫賞江妃，倚風鬟墮翠。捲重雲，沸海愁翻水，霧華繞，艷錦團光膩。眷戀雨色晴光，障空濛天外。漸遙山，隱約凝眸子，鉛華笑，縞袂秋梳洗。正月上，洗象池頭，識眉邊綠未？〈拜星月慢〉
丙戌中秋，峨眉絶頂待月，已而微雨，因賦此辭，越歲奉為山腴老伯寫峨眉三頂，并錄呈正。「白也狂歌，換清平身世」誤書「淒涼身世」。大千張爰並識。
鈐印：「張爰」、「大千」、「可以橫絶峨眉巔」。
藏印：「秋影樓小蘭齋夫婦藏經籍金石書畫記」。
雲腳生暉，桂梢凝露，此夕飄香千里。白也狂歌，換（淒涼）身世，笑登眺，橫絕嵯蛾雪點青鬂，向老鄉山如醉。暫賞江妃，倚風鬟墮翠。捲重雲，沸海愁翻水，霧華繞，艷錦團光膩。眷戀雨色晴光，障空濛天外。漸遙山，隱約凝眸子，鉛華笑，縞袂秋梳洗。正月上，洗象池頭，識眉邊綠未？〈拜星月慢〉
丙戌中秋，峨眉絶頂待月，已而微雨，因賦此辭，越歲奉為山腴老伯寫峨眉三頂，并錄呈正。「白也狂歌，換清平身世」誤書「淒涼身世」。大千張爰並識。
鈐印：「張爰」、「大千」、「可以橫絶峨眉巔」。
藏印：「秋影樓小蘭齋夫婦藏經籍金石書畫記」。
來源
香港蘇富比，二○○一年四月，中國書畫拍賣，編號169
Condition
-Light stains could be found at the upper right corner, which could be improved by restoration. Otherwise, generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
上款：「山腴」即林思進（1874-1953），號清寂，四川華陽人。光緒舉人，官內閣中書。入民國，在蜀中從事教育事業，歷任成都大學、四川大學等校教職。四九年後，任四川省文史館副館長。他於詩古文辭，造詣湛深，有詩文集多種傳世。
註：大千先生一生多次往遊蜀中峨嵋勝境。初遊於一九三九年六月，與張心智、黃君璧等同行，逾時竟月；再遊於一九四四年九月；三遊於四六年八月。四八年上旬，再率子侄門人往遊，這是他去國前最後一次踏足峨嵋。本幅所寫乃四六年三遊峨嵋之行，也是規模最盛者，隨行者約廿餘人。是次居接引殿，晝率學生四出觀景，晚則講論畫理。至中秋夜登金頂賞月，因天雨阻行，正意興闌珊待歸，忽雨收雲散，皓月銀暉滿山灑遍，遂率眾進亭賞月。先生翌年追記寫成本幅送贈鄉前輩林思進，畫上所填詞句即記當日賞月的經歷。
峨嵋三頂即金頂、千佛頂及萬佛頂。以三頂各自所處的天然位置，從山中任何單一視點都難攬其全貌。大千先生逞其豐富的想像力，對峨嵋山勢的瞭解，及充份掌握山水畫構圖佈局的運用，高度概括地將三頂納於一景。同類手法早見於一九四五年的〈千重雲嶺〉，乃寫贈川劇名丑角周企何，屬橫幅。另一〈峨嵋三頂〉寫於一九六一年，屬七尺大中堂，三者表現手法如一。但按畫作面積大小而位置經營有別。本幅尺幅最小，但畫工精細，結構緊密，山腰留白處見雲嵐迴盪，益顯飄渺靈動，凸顯了三頂聳峙的氣勢，畫家筆下造景之精絶，於此曲盡矣！畫中四人聯袂賞月，或曰乃大千與兄長張文修及學生等，可謂人景相襯，如置身畫境得領略「峨嵋天下秀」之妙！
又：大千先生於一九八一年寫另幅〈峨嵋三頂〉，用筆較粗放外，構圖大概參照本幅，題詞相同，記敍四六年峨嵋中秋之遊。但以有個別字句脫漏，讀之略欠通順。他題曰：「三十五年前，與林山翁、向仲堅峨嵋作中秋，稚柳代予倚〈拜星月慢〉，頃寫此圖，漫錄其上……」按此說法，該詞乃謝稚柳代填。蓋先生待償文債畫債甚多，不勝負荷，故有倩謝玉岑稚柳昆仲代筆。一九四○年，他致函謝稚柳，稱「……兹更有請求，此詞系仲堅索和清真原韵，當時忘卻告弟，兹將仲堅和詞錄乞用其韵，仍以登峨眉為題意，企盼萬千。」
「林山翁」即林思進，「仲堅」即柳谿詞人向迪琮。綜合畫題及手札所記，〈拜星月慢〉應出謝氏手筆，但究竟是否四○年他所填或四六年時之作，則有待查考。
註：大千先生一生多次往遊蜀中峨嵋勝境。初遊於一九三九年六月，與張心智、黃君璧等同行，逾時竟月；再遊於一九四四年九月；三遊於四六年八月。四八年上旬，再率子侄門人往遊，這是他去國前最後一次踏足峨嵋。本幅所寫乃四六年三遊峨嵋之行，也是規模最盛者，隨行者約廿餘人。是次居接引殿，晝率學生四出觀景，晚則講論畫理。至中秋夜登金頂賞月，因天雨阻行，正意興闌珊待歸，忽雨收雲散，皓月銀暉滿山灑遍，遂率眾進亭賞月。先生翌年追記寫成本幅送贈鄉前輩林思進，畫上所填詞句即記當日賞月的經歷。
峨嵋三頂即金頂、千佛頂及萬佛頂。以三頂各自所處的天然位置，從山中任何單一視點都難攬其全貌。大千先生逞其豐富的想像力，對峨嵋山勢的瞭解，及充份掌握山水畫構圖佈局的運用，高度概括地將三頂納於一景。同類手法早見於一九四五年的〈千重雲嶺〉，乃寫贈川劇名丑角周企何，屬橫幅。另一〈峨嵋三頂〉寫於一九六一年，屬七尺大中堂，三者表現手法如一。但按畫作面積大小而位置經營有別。本幅尺幅最小，但畫工精細，結構緊密，山腰留白處見雲嵐迴盪，益顯飄渺靈動，凸顯了三頂聳峙的氣勢，畫家筆下造景之精絶，於此曲盡矣！畫中四人聯袂賞月，或曰乃大千與兄長張文修及學生等，可謂人景相襯，如置身畫境得領略「峨嵋天下秀」之妙！
又：大千先生於一九八一年寫另幅〈峨嵋三頂〉，用筆較粗放外，構圖大概參照本幅，題詞相同，記敍四六年峨嵋中秋之遊。但以有個別字句脫漏，讀之略欠通順。他題曰：「三十五年前，與林山翁、向仲堅峨嵋作中秋，稚柳代予倚〈拜星月慢〉，頃寫此圖，漫錄其上……」按此說法，該詞乃謝稚柳代填。蓋先生待償文債畫債甚多，不勝負荷，故有倩謝玉岑稚柳昆仲代筆。一九四○年，他致函謝稚柳，稱「……兹更有請求，此詞系仲堅索和清真原韵，當時忘卻告弟，兹將仲堅和詞錄乞用其韵，仍以登峨眉為題意，企盼萬千。」
「林山翁」即林思進，「仲堅」即柳谿詞人向迪琮。綜合畫題及手札所記，〈拜星月慢〉應出謝氏手筆，但究竟是否四○年他所填或四六年時之作，則有待查考。