- 26
趙無極
估價
1,500,000 - 2,000,000 HKD
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招標截止
描述
- Zao Wou-Ki (Zhao Wuji)
- 無題（風景與人物）
- 一九五一年作
款識
無極ZAO
1951，Zao Wou-Ki，無極ZAO（作品背面標籤，證明此件為藝術家原作） - 油畫畫板
來源
巴黎，皮耶‧洛布畫廊
美國私人收藏
紐約，蘇富比，1978年6月13日，拍品編號102
私人收藏
夏爾特，夏爾特拍賣，2004年10月24日
巴黎，Olivier Vanuxem畫廊
現藏者購自上述拍賣
美國私人收藏
紐約，蘇富比，1978年6月13日，拍品編號102
私人收藏
夏爾特，夏爾特拍賣，2004年10月24日
巴黎，Olivier Vanuxem畫廊
現藏者購自上述拍賣
出版
〈趙無極〉Jean Leymarie編（西班牙，巴塞隆納，Edicions Polígrafa，一九七八年）圖版233，276頁
〈趙無極〉Jean Leymarie編（法國，巴黎，Hier et Demain，一九七八年）圖版233，276頁
〈趙無極〉Jean Leymarie編（西班牙，巴塞隆納，Polígrafa，一九七九年）圖版233，276頁
〈趙無極〉Jean Leymarie編（美國，紐約，Rizzoli 國際出版社，一九七九年）圖版233，276頁
〈趙無極〉Jean Leymarie編（法國，巴黎，Cercle d’Art，一九八六年）圖版265，316頁
〈趙無極〉Jean Leymarie編（法國，巴黎，Hier et Demain，一九七八年）圖版233，276頁
〈趙無極〉Jean Leymarie編（西班牙，巴塞隆納，Polígrafa，一九七九年）圖版233，276頁
〈趙無極〉Jean Leymarie編（美國，紐約，Rizzoli 國際出版社，一九七九年）圖版233，276頁
〈趙無極〉Jean Leymarie編（法國，巴黎，Cercle d’Art，一九八六年）圖版265，316頁
Condition
This work is in very good condition. There is a 1 mm long paint loss located 6.4 cm from the lower edge and 6,8 cm from the left edge. There is a very light 1,5 mm long dent on the lower edge of the board. Under UV light examination, there are scattered minor touch ups along the four edges of the work.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
「保留最重要之處，了解畫家的本意。我探究如何在複雜之中以線與點創作……我描繪風景、建築與自然；人物和動物。這一切都不是客觀對象，而是構成宇宙的各種元素。它們是當中的一部分。」
－趙無極
－趙無極
趙無極在巴黎各個文藝圈子廣結良朋，更計劃到各地旅遊拓展視野。他在1951年到瑞士遊歷，終有機會親身探索保羅·克利基金會的大型收藏，這不但為他帶來深遠影響，也促使他歸根溯源，為畫作尋找靈感。
《無題》為藝術家到訪意大利當年創作，摒棄西方藝術的線性透視法，著重以特定距離從上觀察景象，描繪沐浴在光線中的不同景物，如詩如畫。畫中的山、林、鹿與人物巧妙交疊，互相貫穿，展現趙無極揉合中式構圖與西方媒材的革新創作方法。粉色在藝術家的作品非常鮮見，在此背景色調中，當空半月散發閃爍藍光，營造出神秘優美的氛圍。一如傳統中國畫家，趙無極把意大利旅程中的精神、個人感受與情緒注入《無題》，而非單單描繪所見事物的實際面貌。與此同時，他純熟細緻地在畫幅邊緣留白，此為中國山水畫傳統手法，為作品更添一抹夢幻與喜悅。