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清末 馬少宣作水晶內畫折扇圖鼻煙壺 《馬少宣》款
估價
250,000 - 300,000 HKD
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招標截止
描述
- 《馬少宣》款
- crystal
來源
E.L. Holmes 夫人收藏
倫敦佳士得1974年4月5日,編號7
Hugh Moss
J & J 收藏
紐約佳士得2006年3月29日,編號60
倫敦佳士得1974年4月5日,編號7
Hugh Moss
J & J 收藏
紐約佳士得2006年3月29日,編號60
展覽
Hugh M. Moss Ltd,倫敦, 1974年
《清代鼻煙壺》,香港藝術館,香港,1978年,編號 233
《An Exhibition of 100 selected Chinese snuff bottles from the J & J Collection》,倫敦佳士得,1987年,編號77
紐約佳士得,1993年
新加坡國家博物館,新加坡,1994-5年
《Snuff Bottles from China. The J&J Collection》,美術工藝博物館,法蘭克福,1996-7年
蘇玫瑰,《The Art of the Chinese Snuff Bottle: The J & J Collection》,大維德基金會,倫敦,1997年
那不勒斯美術館,佛羅里達州,2002年
波特蘭美術館,奧勒崗州,2002年|
《別有洞天—鼻煙壺的世界》,國立歷史博物館,台北,2002年,頁72
《International Asian Art Fair》,Seventh Regiment Armory,紐約,2003年
《中國鼻煙壺兿術:James Li 藏鼻煙壺精品 》,保利藝術博物館,北京,2003年
《清代鼻煙壺》,香港藝術館,香港,1978年,編號 233
《An Exhibition of 100 selected Chinese snuff bottles from the J & J Collection》,倫敦佳士得,1987年,編號77
紐約佳士得,1993年
新加坡國家博物館,新加坡,1994-5年
《Snuff Bottles from China. The J&J Collection》,美術工藝博物館,法蘭克福,1996-7年
蘇玫瑰,《The Art of the Chinese Snuff Bottle: The J & J Collection》,大維德基金會,倫敦,1997年
那不勒斯美術館,佛羅里達州,2002年
波特蘭美術館,奧勒崗州,2002年|
《別有洞天—鼻煙壺的世界》,國立歷史博物館,台北,2002年,頁72
《International Asian Art Fair》,Seventh Regiment Armory,紐約,2003年
《中國鼻煙壺兿術:James Li 藏鼻煙壺精品 》,保利藝術博物館,北京,2003年
出版
Hugh Moss,〈Criteria for Judging Snuff Bottles〉,《國際中國鼻煙壺協會學術期刊》,1977年12月,頁18,編號23
康蕊君,〈Exhibition Highlights: Chinese Snuff Bottles〉,《Orientations》,1987年10月,頁42,圖8
《國際中國鼻煙壺協會學術期刊》,1989年秋,封面
Victor Graham,〈Chinese Costume Accessories as Reflected in Snuff Bottles〉,《國際中國鼻煙壺協會學術期刊》,1989年冬,頁5,圖12
Hugh Moss、Victor Graham 及曾嘉寶,《The Art of the Chinese Snuff Bottle: The J & J Collection》,紐約,1993年,編號421
《Asian Art》,2003年3月,頁18
康蕊君,〈Exhibition Highlights: Chinese Snuff Bottles〉,《Orientations》,1987年10月,頁42,圖8
《國際中國鼻煙壺協會學術期刊》,1989年秋,封面
Victor Graham,〈Chinese Costume Accessories as Reflected in Snuff Bottles〉,《國際中國鼻煙壺協會學術期刊》,1989年冬,頁5,圖12
Hugh Moss、Victor Graham 及曾嘉寶,《The Art of the Chinese Snuff Bottle: The J & J Collection》,紐約,1993年,編號421
《Asian Art》,2003年3月,頁18
Condition
The bottle has some tiny nibbles to the lip, one area of polished repair and one chip on the outer foot rim. There are also some natural icy flaws as well as abrasions and scratches to the surface from use. The painting has some minor fading to the cream paint used for the fan, most apparent on the side with the fish.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
Only one other bottle of this unusual shape painted by Ma Shaoxuan is known, illustrated in Geng Baochang and Zhao Binghua 1992, no. 343. Its design is almost identical, although the positioning of the dragonfly has changed, and the bottle is slightly narrower. There can be no doubt that these two snuff bottles were made specifically to be painted with this subject matter.
Ma has successfully achieved a comfortable shape for the bottle, while giving the impression that the fan is open so as to reveal the design without distortion. This is one of Ma's most effective designs and more impressive bottles. The visual game of the fan inside a fan-shape and of Ma appearing to paint not merely the bottle but the fan itself, upon which he signs, is delightful, as is the use of the stopper as the terminal point of the fan itself, the hub, from which the frame with its bones radiates.