元 龍泉窰青釉貼牡丹花紋瓶

of baluster form, the ovoid body with an elegant peony scroll in applied relief comprising four symmetrically arranged blooms and four leaves issuing from the same curvilinear stem, rising to a tall horizontally-ribbed waisted neck, above a band of crisply carved upright lotus petals in relief encircling the base, covered overall in a semi-translucent bluish-green glaze, the foot ring unglazed for firing, Japanese wood box

香港蘇富比2004年4月25日，編號282

The vase is in good condition. The foot is slightly uneven and there are traces of accretion on the surface.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

A Longquan vase of a the same design and size, recovered form a shipwreck off the Korean coast in 1323 AD, is illustrated in Special Exhibition of Cultural Relics Found off Sinan Coast, National Museum of Korea, 1977, pls. 10 and 23. Another vase of the same form and decoration in the collection of the University of Malaya is illustrated in Chinese Celadons and Other Related Wares in Southeast Asia, Southeast Asian Ceramics Society. Singapore, 1979, p. 192, no. 153, pl. 117. A vase of the same form and decoration in the Hagi Uragami Museum, Yamaguchi is illustrated in Longquan Ware: Chinese Celadon Beloved of the Japanese, Aichi Prefectural Ceramic Museum, Seto, 2012, p. 42, no. 30. Other forms were made with similar peony scrolls include two double gourd vases, an ovoid jar, and two cut down baluster jars with applied decoration on the neck and two baluster jars with incised rather than applied flowers scrolls all in the Topkapi Saray Museum, Istanbul and illustrated in Regina Krahl, Chinese Ceramics in the Topkapi Saray Museum, vol. 1., London, 1986, pp.287-289, nos, 202-207. Compare also a vase similar to the present example was sold in our London rooms 15th May 2013, lot 44.